A Quote by Rashid Johnson
I don't have any other skills. Some artists say that to mean that their embodied passion for art gave them no choice. I say it, very specifically, to say that I really didn't have any other options.
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There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
All the other editors at DC never gave me a moment's time. They would take the thing and give me a check and say, 'I'll see you in two weeks.' They never gave any kind of encouragement or information. They were very competitive with each other. They didn't want to teach an artist and then lose him to some other editor.
This may sound pernickety but I wouldn't describe myself as an evangelical. These are labels, which I don't think are helpful. If I was going to use any label it would be Christian, and if you push me any further I'd say I'm an Anglican - that's the family of the Church that I belong to. There's nothing wrong with any of the other labels, but if you have any of them I want them all. If you're going to say, 'I'm Catholic, liberal, evangelical...' let's have them all.
When they say my name, I want them to say the Phoenix Mercury and vice versa. I wouldn't have it any other way.
Everybody was going along thinking that it was a day like any other day, and bang, down went the Twin Towers. Changed everything. So you can't really predict the future, but you can say, "Boy, are those glaciers ever melting." You can measure that, and you can say, "When they're all melted there won't be any Athabasca River," and you can say, "What will happen to the oil sands then?" because you need a lot of water to make that oil. "Where's that going to come from?" You can say things like that.
Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words.
I often say now I don't have any choice whether or not I have Parkinson's, but surrounding that non-choice is a million other choices that I can make.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
Politics can be very mean and dirty. The things politicians say about each other, and what activists say, I had a brief glimpse of that for a couple of days. If I ever had any questions about whether I wanted to run for office, I now know the answer - I don't.
I had no choice but to make me as a comedian, because I am not particularly gifted with a lot of marketable skills. Unless I really want to spend the rest of my life temping, or teaching drama to third-graders, I don't have a lot of other options - which is freeing, in a way. I never have to say, "Well, I could always go back to law school."
I think art, if it's meaningful at all, is a conversation with other artists. You say something, they say something, you move back and forth.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
As an artist you have to find something that deeply interests you. It's not enough to make art that is about art, to look at Matisse and Picasso and say, how can I paint like them? You have to be obsessed by something that can't come out in any other way, then the other things - the skill and technique - will follow.
With any other celebrity, people come up and say, 'Hey, I really like your work.' But with my fans, when they see me, they don't even say hello. They just go, 'AWWWWWGHGHHHGHGHRRR!'
Mr. Blatchford says that there was not a Fall but a gradual rise. But the very word "rise" implies that you know toward what you are rising. Unless there is a standard you cannot tell whether you are rising or falling. But the main point is that the Fall like every other large path of Christianity is embodied in the common language talked on the top of an omnibus. Anybody might say, "Very few men are really Manly." Nobody would say, "Very few whales are really whaley."
I'd say any good set or any comedy that I've worked on, that's worked, has been comedians pitching ideas back and forth to each other. A lot of like, 'What if you say this? What about this?'
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