A Quote by Rashid Johnson

The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography. — © Rashid Johnson
The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography.
The way that light hits objects, I think, is one of the more important things that sculpture and photography share.
"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects."
I like the idea of taking three-dimensional objects and making them two-dimensional so that they look like cartoons.
I believe that photography loves banal objects, and I love the life of objects.
I work in string theory. This is a branch of physics which assumes that the elementary objects in the universe are not particles but one-dimensional objects, that is, strings.
I love the life of objects. When the children go to bed, the objects come to life. I like to tell stories about the life of inanimate objects.
All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself.
That's just tragic, that you can spend four years of your life studying the design of three dimensional objects and not make one.
Is it really that much better to make friends with animals before you kill them than to treat them as nameless, faceless objects before you kill them? From a yogic point of view, one must weigh the karmic consequences of perceiving others as mere objects to be used and the consequences of profiting from the suffering of others.
Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
Chakras really are dimensions. We think of them as objects, but they're not really. They're dimensional access points, whereby we can enter into different levels of mind, and that happens automatically.
Mathematicians do not study objects, but relations among objects; they are indifferent to the replacement of objects by others as long the relations don't change. Matter is not important, only form interests them.
By trying many different approaches, you may slowly reach the point where you say more about yourself than about the objects or the landscapes or the people you photograph - and this is where photography really interests me.
Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.
One thing is sure - we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. ..To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
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