A Quote by Rashida Jones

I don't think that there's been one example in history where somebody has openly talked about their personal life and it's done them any good. — © Rashida Jones
I don't think that there's been one example in history where somebody has openly talked about their personal life and it's done them any good.
Maybe I just have a different line than other people in terms of where my personal emotional space becomes public and private. There's almost nothing I wouldn't tell somebody about my quote - unquote "personal life" if they asked in any conversation. There's nothing I've done or said that's that great. I don't see anything I've done to be that different than any other normal person.
I want to be talked about for the films I am doing rather than a party I attended, the dress I wore, and the men I may have met and dated. In any case, by and large I think I have spoken about more for the profession I am in than my personal life. That's the way I like it because frankly, I don't really have a personal life to begin with.
I know I've made mistakes, and sometimes I've talked about things too openly or directly. That wasn't good, and I've learned from that.
People gossip. People are insecure, so they talk about other people so that they won't be talked about. They point out flaws in other people to make them feel good about themselves. I think at any age or any social class, that's present.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
If we think something is not good, we'll openly say it. If there's choreography, for example, and it feels like it's going to be too taxing on our physical resources - as I said, we're not getting any younger - we'll say so, and then we'll make those changes.
Just like any other human being is concerned about his or her personal life, I also need to think about my personal life.
I've never been somebody who blew up overnight, I've never been somebody who everyone talked about all at once, but I've had this really cool slow build.
Now, people have said that somebody told them that they saw somebody on the railroad bank or saw somebody going over the bank, but no one has ever been able to show any cartridges, any rifle, any pistol, no one has ever found anything other than the evidence about Oswald.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
I'm not going to be able to talk about the people who are involved specifically in any ongoing judicial process. We do the same thing with all our players. We take a look, as I said, at their personal family life, we look at the history of what they've done in high school and college.
I don't know. I think you're born with that. I've always been somebody that enjoys life. I want to be happy in it, and I've always been that way. Since I was a kid, I really was somebody that was active. It's just an inner drive, and a willingness to lead a good life.
Maybe in my personal life, but as far as my career, I've been offered some humongous things in my career and didn't take them. I look back and think, oh man, well I'd have been well off monetarily wise, but artistic wise I don't know. I'd have to say, personally, in my personal life, yeah, but in my musical life, on twenty-twenty hindsight I would say just take the good with the bad.
I have very close friends who are very devout Catholics, and I talked to them before the 'Da Vinci Code,' and it was very difficult for them, but I talked to them before 'Angels and Demons,' and they said the scandal, abuse of power and violence was part of church history, which you can read about in the Vatican bookstore.
I care about actors, and I understand them in a very personal way. I'm not saying every writer has to do that, but in my case, it's been helpful. I can put myself into the scene and think, 'What would it be like to act this?' Any writer who's really good probably does that to some extent.
There are certain truths which stand out so openly on the roadsides of life, as it were, that every passer-by may see them. Yet, because of their obviousness, the general run of people disregard such truths or at least they do not make them the object of any concious knowledge. People are so bliend to some of the simplest facts in everyday life that they are highly surprised when somebody calls attention to what everybody ought to know.
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