A Quote by Rashida Jones

You know, I grew up on romantic comedies, and it's hard to find a new way to tell that story. — © Rashida Jones
You know, I grew up on romantic comedies, and it's hard to find a new way to tell that story.
I grew up with some kind of storytelling instinct, and when I write, my default setting is to find a story and then to tell it. It's the only way I know how to write.
I grew up on romantic comedies and love watching those films. They were, like, a real joy and a source of great pleasure and an escape.
It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
Audiences know the form in their bones, they know that romantic comedies end in an uplifting way.
My favorite movies are all romantic comedies. I love the romantic comedies. I'd still have to say Pretty Woman. I still think that it's one of the best ever.
People know where romantic comedies are going. It's not brain surgery to figure out the end of a romantic comedy.
I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.
Unlike typical romantic comedies, Definitely Maybe is not formulaic or predictable and it spans a decade while being set against a political background. Also, the audience doesn't know who ends up with who until the very end, which makes it a sort of "romantic mystery comedy".
I know when someone that's not you tries to tell your story, especially when you don't look like the person whose story you're trying to tell, you're going to screw it up. And the only way to get it right is to have them be as involved as possible.
To state the obvious, romantic comedies have to be funny and they have to be romantic. But one of the most important things, for me anyway, is that they be about two strong people finding their way to love.
I find it hard to be labelled in this new 'super-rich' category because we all grew up with very little. The idea that 'to get rich is glorious' is really a new phenomenon. I certainly didn't grow up like that.
Romantic comedies are particularly hard to make.
I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
Writing is hard work, and if anything's true about the process, it's that fact that a good story is hard to find and even trickier to get on paper. What's less romantic than staring alone at a blank screen? And edgy? I've changed the cat little because I didn't know what my characters were going to say next.
It's very hard when you're doing a new play that you believe in, and you want to tell the story in the best way possible.
Usually, in romantic comedies, you end up sacrificing a great deal of the complexity - you know, just two attractive people and a good soundtrack.
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