A Quote by Rashida Tlaib
I remember the different things that were happening to my family as we were getting situated and buying our first home in southwest Detroit, watching my mother learn how to drive for the first time.
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I remember when my mother, Shyamala Harris, bought our first home. I was thirteen. She was so proud, and my sister and I were so excited. Millions of Americans know that feeling of walking through the front door of their own home for the first time - the feeling of reaching for opportunity and finding it.
I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
I remember the first time seeing myself on TV, when my family was watching the documentary 'Eyes on the Prize' for the first time. There were pictures of people going up the school stairs, and Mom said, 'Oh, that's you!' I said, 'I can't believe this. This is important.'
Everything we did was a first: first bath, first walk, first drive in the car. It was like we walked into an alternate universe that looked just like the old one, but all the rules were different and we had to relearn how to live.
Probably my favorite thing about watching a movie that I'm in the first time is to see all the things I didn't know were happening in a scene around me.
My earliest memory from childhood is of fishing with my father. And I remember vividly we were in a store, and we were buying a pup tent to go on our first camping trip.
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.
If you think back to the first sporting event you went to, you don't remember the score, you don't remember a home run, you don't remember a dunk. You remember who you were with. Were you with your mom, your dad, your brother, on a date?
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
I was pretty spoiled growing up, creatively and artistically; we were exposed to a lot of different things. I remember watching my brother's friends struggle to get to the level he was at musically and wondering why they were having such a hard time.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
My first memory of the national team is the 1982 World Cup. I remember those days at our home or at my uncle's house, with all the family and those long dinners watching the matches. But I also remember that, during the games, I went outside or onto the balcony to play.
I remember when Muhammad Ali got beaten the first time. I remember when Lennox Lewis got beaten the first time, Sugar Ray Leonard, Mike Tyson. All of those were legendary fighters, and they came back, and that's what made them different - what they did after they got beat.
During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
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