A Quote by Rasika Dugal

Whenever I work on a role, I always allow it to subconsciously take me to a place that is magical and unexpected, rather than consciously driving it to a place. — © Rasika Dugal
Whenever I work on a role, I always allow it to subconsciously take me to a place that is magical and unexpected, rather than consciously driving it to a place.
When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
I think place and time for me is often a matter of convenience, something I can use to another end rather than something I'm trying to define because it's somehow fascinating to me in itself. It's more what the place can do for the larger goals I have for the work.
People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
Genetics do play a role in how you consciously or subconsciously manifest your true self.
Devices that allow people to shoot up to 100 rounds of ammunition at one time have no place in our schools, no place in our parks, no place on our streets, no place in our communities, and no place in this country.
The expressive body is not literal; it's very primal, and that's what I feel when I make the best of my work. It's coming from a primal place rather than an intellectual place.
As I've gotten older, I've wanted to represent Las Vegas more. Represent the Southwest. It's a magical place. The desert. I do understand people's criticisms, but it's a magical place and a beautiful city, even though there are a lot of things that are wrong with it.
Many times when I stop working on a problem consciously, my mind continues to work on it below the surface. Often solutions come on me quite by surprise. I've learned over time to allow that to happen, rather than to feel that I can simply solve the problem by continuous, grueling effort.
You have deep-seated survival anxieties. And you don't like bigots, bullies, snobs or hypocrites. Subconsciously there are many people you hate." "Consciously, sir, consciously," Yossarian corrected in an effort to help. "I hate them consciously.
I always think it's better to take a smaller role in a great film rather than a leading role in something that you don't have complete faith in.
I think that whenever you feel reactive or are being reactive as opposed to proactive, that inherently - consciously or subconsciously - creates a lot of stress.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
When we give from a place of love, rather than from a place of expectation, more usually comes back to us than we could ever have imagined.
Los Angeles is a very magical place when you take the entertainment industry out of it. You have beautiful beaches and amazing mountains here. I'm a big rock climber. I head out into the mountains whenever I have free time. It's amazing.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
You can go anywhere in New York. There's always something to do in New York. There's always a place to eat no matter what time it is. There's always a place to work, a place to drink. It's conducive to my lifestyle. I don't know how to drive a car, so I like to be able to walk places.
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