A Quote by Rasika Dugal
Sometimes you read the script and you feel that this is a challenging role but at times you feel that this one was written for me.
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I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
I feel nervous when the script is set in stone, and I feel nervous when I feel the script is written for mass consumption because I don't see myself that way.
When I read a script, if I feel it's written with the idea of just bashing other people, then I shy away from it. Sometimes it's some guy coming out with his own hatred, and I don't need to be a part of it.
Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.
I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
Sometimes I'll read things in the script and think, "That's not how humans behave," or "I don't understand how to do that role and make it seem like I'm not some kind of strange alien or on a sitcom." I don't get it, and when I feel that way, I have to listen to my instinct. My initial instinct does lead me in a direction that I can trust.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?
I feel guilty if I'm not reading books, but I read scripts of movies or things that I know I'm committed to that I'm going to do the project. I tell myself, "I'm going to read this script like six times," and I only read it the initial time.
The role always attracts me. Sometimes I can read something and I can barely see the rest of the script.
Many kids going through tough times watch WWE on TV and tell me that they feel inspired to be strong and brave because of us. That makes me feel the need to be an even better person because I feel like I'm a role model to them, and that's a responsibility I don't take lightly.
I like challenges. That's why if I read a script, and I feel, 'Oh, I can't do this,' I'll take that role, because if I feel like, 'Oh, I can do this,' I don't want to take that because I can't learn from that film.
From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
I feel as though my criteria are based more on how challenging the role is, it doesn't have to fit into any particular profile, is it something that I've never done before, and is it something that I feel like I can really feel challenged and therefore fully engaged in, and that's when the work gets to be the most fun.
On an animated television series, you pretty much read the script as written. Whereas on an animated feature, you'll sometimes record the same scene multiple times over the course of a year as the filmmakers continue to tweak that part of the movie.
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