A Quote by Rasika Dugal
Women often get ignored from main narrative, especially in films.
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There's so many great films coming out. It's still kind of astonishing to me how certain films get ignored, and that film ended up getting ignored and didn't get the attention that it deserved at Sundance.
I don't think women are being sidelined or ignored. If they are talented enough, they will get films. But they need to be more ambitious.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.
'Main Hoon Na' will always be special since it was my first film but in my subsequent films, I was trying to show off with gimmicks that didn't aid the narrative in any way.
Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.
In a way, bullying is an ordinary evil. It's hugely prevalent, all too often ignored - and being ignored, it is therefore condoned.
Half the world is full of women, but it's rare to hear a narrative that doesn't speak of women as the people who have things done to them instead of the people who do things. More often, women are talked about as a man's daughter. A man's wife.
The young, the old, women, the disabled, the sick and the wounded are entitled to protection under international law. Too often, the ICRC's calls for those laws to be respected are ignored.
Women have always been the primary victims of war. Women lose their husbands, their fathers, their sons in combat. Women often have to flee from the only homes they have ever known. Women are often the refugees from conflict and sometimes, more frequently in today's warfare, victims. Women are often left with the responsibility, alone, of raising the children.
Domestic violence is often ignored as it usually happens behind closed doors and it can seem easier not to get involved. Yet, domestic violence continues to affect 1 in 4 women at some point in their lifetime, regardless of their background, career, race or age, and it is vital that we do something now to protect those directly affected by abuse in the home.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
I do feel that film and TV are often behind when it comes to the way women look, they often dress them in khakis and denim shirts, but women and mothers these days look great and films need to reflect that. Real people look very fashionable, moms are at the forefront of the style. But things are getting better in that way.
I do think the women should get paid, a main event is a main event.
Romance-comedy films usually get led by the main actor and main actress, just the two of them. Indeed, I was not sure if I was ready to bear the responsibility before casting in '7th Grade Civil Servant,' but I started gaining more and more confidence as the drama went on.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
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