A Quote by Rasika Dugal

Nothing is more important to me than the work itself. If I feel I am getting swayed too much, I take a step back... My focus is also on the performance. — © Rasika Dugal
Nothing is more important to me than the work itself. If I feel I am getting swayed too much, I take a step back... My focus is also on the performance.
I believe that as much as you take, you have to give back. It's important not to focus on yourself too much.
I really wanted to be as healthy as I could. It wasn't about getting my six-pack back. There are more important things in life than a six-pack, I realized. It was just so much more important to take care of my baby and take care of myself in a healthy way; so now, it's been a slow process, but I'm back in shape.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
As long as I am getting acceptance, I would rather take one step at a time and let the audience also accept me.
I never became an actor for people to want to take pictures with me or wanting my autograph. I feel I am nothing more special than the next living soul, but I understand that I work in entertainment, and this attraction comes with the territory.
I know the focus on my performance or the team's performance is on the pitch. We've got to do what we have to do on the pitch. What comes with it off, it doesn't bother me too much.
All excuses are nothing more than misalignments with God. Just imagine the great creative Source needing an excuse. It doesn't have any concept of, "I'm too busy. I'm too old. I'm too afraid. Things are going to take too long." Source doesn't work like that. The Tao does nothing, Lao-tzu writes, but it leaves nothing undone.
It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
The first thing you have to do is take everything with a grain of salt. You know, you've gotta just look at the goal, focus on what you gotta do and take one step at a time as a whole, as every performance being that's it, that's one objective, and let's just move forward and work on that.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
If you're getting way too much than perhaps what you deserve, there's no insecurity. It comes up when you feel 'I expect and deserve much more but I'm not getting it.'
And yet this is farther than I've ever fell; You know me much too well. Funny it don't feel like we just met. It didn't take much time. Forever's more than crossed my mind, and we haven't even said 'I love you' yet.
I am getting better offers since directors feel that I am versatile and can be more than just a girl next door. I am also seriously trying not to be repetitive.
An organization belongs on a sick list when promotion becomes more important to its people than accomplishment of their job they are in. It is sick when it is more concerned with avoiding mistakes than with taking risks, with counteracting the weaknesses of its members than with building on their strength. But it is sick also when "good human relations" become more important than performance and achievement.
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