A Quote by Raul

It's important to get match rhythm. — © Raul
It's important to get match rhythm.

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I always want to play. It is important to gain match rhythm.
Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.
It doesn't matter who scores as long as we win the match. I'll obviously try to get on the board, but the more important thing is to be prepared for the match.
There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
I think the thing that I get most excited about is the fact that I know I'm gonna have a great match. That's when I get the butterflies. When it's just a regular match or something like that, I may not get that.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
Whether you win a match or lose a match, in terms of your emotions, it's important to be pretty levelheaded.
It's very important to match a party and to match leadership to a moment.
It's very important to know when you're in a pissing match. And it's very important to get out of it as quickly as possible.
To play a match between Boca and River in Madrid, it's weird. But as a player, it is important to stay focused on the match.
I feel the only way you feel the pressure is when you think it is an important match or series. If you feel that every time you go out into the middle the match is important then pressure ceases to exit.
I am happy to have played a match and break the rhythm of daily training.
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