A Quote by Raul Castro
I never liked the idea of giving interviews. One says many things, but when they are published, they become shortened, condensed. The ideas lose their meaning.
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Since many things we see were once an idea, let us create good ideas today because they will be the realities of tomorrow! When you create an idea, do not forget that you shape the future! Idea is your God side! With ideas, you can change the universe, but only with very great ideas!
Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write.
I think it's really good not to get published. It sounds crazy but it's true. People want to get published very soon, but the moment that happens, you lose a bit of your originality. Once you publish, you are always doing things made-to-order. You stop being a weaver and become a tailor. You are tailoring things to suit other people's fashion.
Fortunately, I've done so many interviews that I've become very good at detecting when someone is giving a less-than-candid reply.
There is, moreover, very little sense in preventing young people from giving expression to their ideas on the pretext that they have less experience than have older persons. There are many who may live a thousand years without encountering experience of any value. It could only be in a society of persons equally gifted that such an idea could have any meaning.
If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.
I never liked the idea of doing what a machine says. I hate having to salute something built in a factory.
I have published so many books in so many years. I can't complain about any lack of attention. But I've never been placed as a Southern writer, which I really am. So I was happy finally to be published by someone in the South.
The first step into the realm of giving is...not manward but Godward: an utter yielding of our best. So long as our idea of surrender is limited to the renouncing of unlawful things, we have never grasped its true meaning: that is not worthy of the name for 'no polluted thing' can be offered.
The study of an idea is, of necessity, the story of many things. Ideas, like large rivers, never have just one source. Just as the water of a river near its mouth, in its final form, is composed largely of many tributaries, so an idea, in its final form, is composed largely of later additions.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very 'deep' things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published.
Collect treasures that have meaning only to you. Put them in a special place, and explain them to no one, except when you're giving interviews to Time magazine.
When you become sufficiently expert in the state of the art, you stop picking ideas at random. You are thoughtful in how to select ideas and how to combine ideas. You are thoughtful about when you should be generating many ideas versus pruning down ideas.
Nowadays, photographers start out with ideas, and their photos become the expression of an idea. To my way of thinking, a photo should not depend on ideas, should go beyond ideas.
After giving a student the basic mating patterns and strategies you must begin giving them advanced concepts. At first these ideas will not make sense, many players will have a vague idea of what you are talking about but nothing more. Even a fragmented understanding of these concepts will prove useful though, and eventually they will improve as these lessons are assimilated by repetition and example.
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