A Quote by Raul Esparza
The children never connect me with the man onstage when I come out the stage door. The parents spend all their time trying to convince them that I'm Caractacus.
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I had to first convince them [prostitutes] that I wasn't a journalist who would yet again put out a notion about them they wouldn't necessarily care for or who would victimize them. You know, journalists come and go. If they come twice, it's a lot. But I come 10 times and hang out with them and share stuff. If you connect with someone just once, that's something. But if you can connect twice, that's something else.
The most meaningful movies I can make are the ones where parents can share them with their children and children can look forward to sharing them with their parents, a ritual if you will, where they get to spend time together and the kids are smiling.
I'm very quiet off stage. I think I'm a pretty boring person. I'm not super talkative; I spend a lot of my time running and zoning out. I spend so much time trying to write jokes and 'be on,' so when I'm finally off stage, I just want to sit.
I used to like people more, but now I have children and that changes your life in a lot of ways. Like you spend time with people you never would have chosen to spend time with, not in a million years. I spend whole days with people, I'm like, "I never would have hung out with you. I didn't choose you. Our children chose each other based on no criteria by the way. They're the same size. They don't care who they make me hang out with."
I have really musical parents, and my dad was always encouraging, but the desire to get onstage and perform really did come from me. I'd never push my future children.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
I have people ask me if I'm going to convince my daughters to be Democrats, and I say, 'I have yet to convince my daughters to close a door.' I don't how in the world I would ever convince them to be in a political affiliation.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
There is a white girl from Australia that spits in an Australian accent, and her name is Chelsea Jane. That I can get into. Teach me Australian Hip-Hop culture. Don't come to America and try to convince me that you're Gangsta Boo...We're not going to believe you if you're trying to convince us that you're out here trap shooting.
When God gives you a door, if you want access, you go through that door. People didn't like Jesus. Oh, they had all kind of reasons to hate him but Jesus said, "I am the door. Any man who enters must come by me. If you don't come by me," he said, "you're a thief and a robber."
Well, if Omarosa Manigault is the door to Donald Trump, well I kind of like that door. That's a pretty door. That's an intelligent door. That's a spiritually rooted door.
People come up to me as I leave the stage after a performance and tell me tey saw my mother onstage with me every time I sing. I keep a sense of humor about it.
What I didn't understand was that the personal and the political go together. I felt at the time I had to sacrifice my children's present for their future. It seemed an either/or. I didn't realise that by being with one's own children I would have had a better understanding of the ones who are not my own. I was thinking of them but I didn't spend the time that they needed from me. It's a tribute to them that they came out so well.
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.
You must learn to look at people who are angry with you straight in the eye without getting angry back. When children see their parents treating them this way, they then recognize the parents' authority. It speaks louder than words. Their new respect for the parents is as good for them as it is for the parents. It never works to demand respect of children. It must be given willingly as a result of strength of good character in the parents, which is manifested by their non-reaction to stress in the children.
The creatives, they want to connect with people. These artists, the clothing designers, they want to connect with people the same way that music gets to connect with people. But the cost of silk is too expensive. And they won't lower their quality levels. So I can spend $2 million on a record and give it out in a democratic way. They could spend all their time making the greatest dress in the world, and it's just impossible to hand-make that many.
I never met my theater fans. I'm out the stage door five minutes after the curtain goes up. So that's it. I don't even know who comes, but thank God they do come. I can't tell. I keep my head down. I don't meet them. The fans from "Harry Potter" are kids who stop me in the street. I love that. That's terrific. I was amazed how many do.
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