A Quote by Raveena Tandon

I never did my eyebrows in most of my early films. — © Raveena Tandon
I never did my eyebrows in most of my early films.
I have become a bit obsessed with eyebrows, I used to never have any and then I realised big eyebrows are good and now I'm an eyebrow fiend. Everyone comes to me to get their eyebrows done.
I have become a bit obsessed with eyebrows. I used to never have any, and then I realised big eyebrows are good, and now I'm an eyebrow fiend. Everyone comes to me to get their eyebrows done.
Mr Beach was too well bred to be inquisitive, but his eyebrows here not. 'Ah!' he said. '?', cried the eyebrows. '? ? ?' Ashe ignored the eyebrows. ... Mr Beach's eyebrows were still mutely urging him to reveal all, but Ashe directed his gaze at that portion of the room which Mr Beach did not fill. He was hanged if he was going to let himself be hypnotized by a pair of eyebrows into incriminating himself.
But when my grandmother saw me plucking [my eyebrows] she said: 'Don't. You will regret it. One day you will wake up with no eyebrows and think how stupid you were. Your eyebrows are the most beautiful thing about you.'
I never lived in the era when thin eyebrows were in so I never did that.
Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It's just going through my body of work as something I can pick from.
Most of the available Indian films in Australia are Bollywood. I did not watch them. In my early days, I watched Satyajit Ray's 'Apu Trilogy,' which was a beautiful take on social realism.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I just did in my early twenties what most did when they were teenagers, being free and exploring and making mistakes, but I did it in France. I did it privately.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.
I did two films that have a great following. One is 'Caddyshack,' one is 'Tron.' To tell you the truth, most people don't know that it's me in both films.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
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