A Quote by Raven Goodwin

'Being Mary Jane,' I really want everybody to see what we've done. I've never watched a project that I've worked and thought, 'Damn that's really good. It's so juicy, and it's hit after hit.'
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
Everybody wants to go see the big hit [at the theatre]. Not because it's any good. Because it's the big hit and everybody wants to be able to talk about the big hit.
You'll read things and say, this is a really good project and it's probably going to be a hit, but I can see 20 other people playing that part. You have to have some sense of ownership to do a good job and be married to it for ever.
Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good. I agree with Jim [Lauderdale] in that I think the really good ones are songs that when you hear it [sic]...there's just something about it that touches your heart, and you don't know why.
If you really want to go after something, you have to keep hammering at the stone whether or not the first hit or the 100th hit breaks the stone. You've got to believe that the stone is going to break.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
Most people that do play nowadays hit really hard. It was good to get someone that hit really hard early on.
We're pretty good at putting bunts down and really good at hitting. I know as a pitcher, when you face a pitcher you know can hit, that's not fun. I think taking pride in that, and being able to hit helps your own cause.
I really, really thought that it was a no-brainer in terms of being a hit. And so it does surprise that that hasn't been the manifested reception of it so far.
What I really want is a commercial hit. If you're in a hit, you're suddenly a star, whether you acted well or not.
See, I don't really go after girls. Most of the girlfriends I've had have come after me. So it's really funny when girls get offended because I don't hit on them.
Do not get into a fight if you can possibly avoid it. If you get in, see it through. Don't hit if it is honorably possible to avoid hitting, but never hit soft. Don't hit at all if you can help it; don't hit a man if you can possibly avoid it; but if you do hit him, put him to sleep.
I hit adversity when I was at the top of the world. Most people hit adversity when they're just at the beginning, when they're just getting started. I hit it when everybody was watching, and everybody had comments and everybody was doubting me. It was a tough situation to be in.
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