A Quote by Ravi Babu

I shot 'Nuvvilla' for 56 days and stayed at Sitara Hotel in Ramoji Film City. — © Ravi Babu
I shot 'Nuvvilla' for 56 days and stayed at Sitara Hotel in Ramoji Film City.

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I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
What's great about this hotel [Sheraton Universal Hotel in Universal City, CA] is that I stayed here for a month when I was competing on the Oprah reality show. So it's like coming home.
I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.
I'm a hotel baby, absolutely: it's hard to think of a hotel I haven't stayed in.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
[Eva Braun] went to the Nurnberg party rallies starting in 1935. She was there twice and stayed at the Hotel Deutscher Hof, the hotel [Adolf] Hitler had always stayed at while there. It was endless subterfuge in order to see him and then only for a few hours, then she had to sneak back to the banishment of her own room.
St. Louis is a good example of a vibrant city. Having stayed in a hotel in 2011 overlooking Cardinals stadium when they won the World Series, their fans definitely show up loud and proud.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
I don't like the idea that one hotel could be better than another. In any city, I try to find a hotel that has the identity of that place - Claridge's in London, the Danieli or Cipriani in Venice. In New York, I stay at the Mercer Hotel; it is so much in the character of SoHo.
I shot film with the Coen brothers on 'Hail, Caesar!' That's fine. I'm sentimental about film; I've shot film for forty years or something.
The very best hotel I've stayed in is the Intercontinental on Park Lane. We went there for the Chelsea Flower Show a few years ago, and it was sheer luxury. Everybody had a smile on their face. I came home and changed all my pillows because the hotel ones were so beautiful.
[Eva Braun] also stayed with [Adolf Hitler] at the Hotel Imperial in Vienna, the Hotel Dreesen in Bad Godesberg and a few other places. I was never with her in these places, though my mother was there in Vienna.
I always traveled by myself on the airplane, stayed at hotels by myself. Even though I got some big campaign, I couldn't celebrate with someone else. I just stayed at the hotel, had a glass of wine and congratulated myself.
But then we got to Victoria Falls at the end: at dawn it's one of the most beautiful sights you will every see. We stayed at The Victoria Falls Hotel, a luxury hotel that looks out over the falls.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
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