A Quote by Ravi Babu
I found an old dilapidated house in Banjara Hills which the owners were demolishing, and requested them to give it to me for filming, which they obliged. We worked nearly four months on that building to make it look the way we wanted.
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There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
They had a year of joy, twelve months of the strange heaven which the salmon know on beds of river shingle, under the gin-clear water. For twenty-four years they were guilty, but this first year was the only one which seemed like happiness. Looking back on it, when they were old, they did not remember that in this year it had ever rained or frozen. The four seasons were coloured like the edge of a rose petal for them.
I found a nanny/child care position in Beverly Hills taking care of a 3-year-old and a 17-year-old. They had a large, wealthy house. I learned that I liked the way rich people lived. I learned that they were not smarter than me.
There's this terrific kid in Maine who saw all the waste generated by straws handed out in restaurants. So he made up these little pop-up cards and asked restaurant owners put them on the tables to explain why straws wouldn't be handed out unless requested. Of course, the restaurant owners couldn't resist a 9-year-old kid, and so it worked.
Acting in two films would mean four months of the year, which would leave eight months for me, and if Bollywood needs that time from me, I am ready to give it a shot.
I was all of 18, and in love with Shammi Kapoor while we were filming 'Brahmachari.' He wanted me to give up my career, but I wasn't ready. I had my family to look after.
The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.
For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.
Whenever Congress was in session, we were in Washington. So four months out of the year we were in Tennessee and the rest of the time in Arlington, which is where my mom grew up. Then, of course, in 1992 we moved into the vice president's house in D.C. I was 15 then.
If there really is no new way to be found, we are not afraid to stick with the old one that we found previously. So, I do not make every building different.
Evidently stockholders have forgotten more than to look at balance sheets. They have forgotten also that they are owners of a business and not merely owners of a quotation on the stock ticker. It is time, and high time, that the millions of American shareholders turned their eyes from the daily market reports long enough to give some attention to the enterprises themselves of which they are the proprietors, and which exist for their benefit and at their pleasure.
We found letters at the house we bought from a sailor to his wife who lived in the house. He went down to the Caribbean on this trader vessel, bringing down salted fish. There would be handwritten letters, but also telegrams, saying which ports he was in. And he'd be gone for three months. That was just the way it is.
In other words, it is what I do in the world that matters. When I traveled for three months in the Mideast, the places I wanted to go back to were Turkey and the Gaza Strip. It has to do with what Gandhi said: he found God in the eyes of the poor. Those are the places which were so moving that they were just unbearable.
Nitin Gadkari requested me not to fight Lok Sabha polls. I told him how it is possible? I head an independent political party which has mass support. Gopinath Munde too met me and requested me to adjust.
When we began filming, these people had legs, but as we were filming, they had been injured and they were brought to the hospital to have their legs amputated, and that's where we found them and asked them to come and be part of the film.
Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?
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