A Quote by Ravi Kishan

I had a fear of heights but I overcame that while shooting for 'Luck.' I jumped from a height of 2,000 feet for one shot. — © Ravi Kishan
I had a fear of heights but I overcame that while shooting for 'Luck.' I jumped from a height of 2,000 feet for one shot.
Dartmoor proper consists of that upland region of granite, rising to nearly 2,000 feet above the sea, and actually shooting above that height at a few points, which is the nursery of many of the rivers of Devon.
If someone's got a fear of heights, they'd probably say, well, hanging off a helicopter at 3,000 feet above downtown L.A. would be the scariest. For me, that's a day's work, something I was very happy to do.
I jumped from a height of 45 feet and though I landed on the boxes. I broke my leg.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
On a beautiful clear Sunday morning, myself and James Nesbitt jumped out of a plane together at 18,000 feet.
The first time I shot the hook, I was in fourth grade, and I was about five feet eight inches tall. I put the ball up and felt totally at ease with the shot. I was completely confident it would go in. I've been shooting it ever since.
I waited all those years for a title shot, and when I finally got it, I had to pay $20,000 for the opportunity. My purse was only $18,000. So to make money, I had to bet $10,000 on myself at 8-5. That was how it was in those days.
You do wonder - when you are at 28,000 feet, the height that aeroplanes cruise at, when you are struggling to draw breath and every limb aches - why do I do this?
It felt as if maybe the curse had lifted, the tide had shifted, but then the breeze picked up and a skeet took a very unfortunate turn. Seconds later, Angus was pulling his shot far to the right, shooting a large hole in the second-story galley not ten feet above Marcus's head.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.
The situation of Leh is a grand one, the great Kailas range, with its glaciers and snowfields, rising just behind it to the north, its passes alone reaching an altitude of nearly 18,000 feet; while to the south, across a gravelly descent and the Indus Valley, rise great red ranges dominated by snow-peaks exceeding 21,000 feet in altitude.
To do this walk, I believe it's around 2,000 feet, to go from the U.S. to Canada. I would train walking a wire almost 8,000 feet, to overtrain for this.
Prior to inventing the Geyser Tube toy, dropping a stack of Mentos into a bottle of soda was not always an easy task. The Geyser Tube makes it easy to get a perfect launch every time at heights of 30 feet or more. Tell me... who doesn't like to see soda shooting 30 feet into the air, all in the name of science?
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
This site uses cookies to ensure you get the best experience. More info...
Got it!