A Quote by Ravi Shankar
I was invited for the first Woodstock. Actually, I started the programme.
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As president of the American Historical Association, I started a programme to make dissertations into e-books in 1999. Before I knew it, I was involved in other electronic projects. Harvard invited me to become director of the libraries in 2007.
I always say that even though my dad was alive during Woodstock, he was just not invited. He just seemed like he was from a different generation.
Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.
'Match of the Day' is a great programme to be on. It's a programme I used to be allowed to stay up and watch from the age of 10, so to think that one day I'd actually appear on it was great.
In the west we think of yoga as an exercise programme, when actually where it's from in India it's a whole philosophy. The Asanas and the exercise programme are one tiny aspect of it, and so it really, really fascinates me.
I started listening to rap music in 2012 or something, because that was when I started becoming friends with American people, and they showed me rappers to listen to. I actually started listening to Macklemore a lot. He's the first rapper I started listening to.
Woodstock is the only thing we have going for us in this part of the state in terms of national recognition. The idea is to extract what was good about Woodstock, repackage it, and present it to Middle America.
To come out here and play on Woodstock grounds, first year ever headlining on the main stage there's nothing more iconic. [Mysteryland] is one of those festivals that holds down the legacy of dance music it's been around for so many years. It's been part of what we do for so long. It kinda makes sense to bring the tradition over here to America. The festival grounds of Woodstock, that's pretty epic.
When I first started coming to New York in the early Nineties and seeing the vitality of the programme compared to what was going on back in London or Paris, it was just in a different league. It's like a 16th-century court.
I started doing music when I was thirteen; I actually started writing my first rhymes.
This isn't the Democratic party of our fathers and grandfathers. This is the party of Woodstock hippies. I was at Woodstock--I built the stage. And when everything fell apart, and people were fighting for peanut butter sandwiches, it was the National Guard who came in and saved the same people who were protesting them. So when Hillary Clinton a few years ago wanted to build a Woodstock memorial, I said it should be a statue of a National Guardsman feeding a crying hippie.
Perhaps the whole world is actually a banquet, to which every living thing is invited. First you come as guests: then eventually you're on the menu.
If every vampire who said he was at the crucifixion was actually there, it would've been like Woodstock.
I first started making films - this is my first feature, but I was making shorts - I was actually freelancing as a day job at The New York Times as an art director. I actually worked with Bill Cunningham and really soon after I met him, I thought, "Oh my God, he's a perfect subject for a documentary."
When I first arrived in beautiful Zimbabwe, it was difficult to understand that 35 percent of the population is HIV positive. It really wasn't until I was invited to the homes of people that I started to understand the human toll of the epidemic.
When I first started writing cookbooks, I remember thinking to myself, what makes me think I can write a cookbook? There are these great chefs who are really trained. And, as I started, I realized, actually, what is my lack is actually exactly right, because I can connect with - cooking's hard for me. I never worked on... And that's why my recipes are really simple, because I want to be able to do them.
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