A Quote by Ravi Shankar

I enjoy seeing other Indian musicians - old and young - coming to Europe and America and having some success. I'm happy to have contributed to that. — © Ravi Shankar
I enjoy seeing other Indian musicians - old and young - coming to Europe and America and having some success. I'm happy to have contributed to that.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.
I actually enjoy Instagram. I enjoy seeing what people who I have some connection to are doing around the globe. I'm even old-school Instagram. I'm here for your "What did you have to eat today?" I'm fine with that.
The largest source of greenhouse gases in the coming decades will not be the US, Western Europe and Japan, but the developing economies of East Asia, Latin America and Eastern Europe. The coming eruption of carbon emissions from the poor world will dwarf any reductions in the North.
I have boys, and boys are particularly resistant to reading books. I had some success recently with Sherman Alexie's great young adult novel 'The Absolutely True Diary Of A Part-Time Indian.' I told my son it was highly inappropriate for him and one of the most banned books in America. That got his attention, and he raced through it.
So, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
With some other top players I'm part of a company trying to put on events in Europe, especially Germany, but also Poland, Austria, Russia. There's so much talent coming out of the Far East now, and we want the same thing in Europe.
If you're happy, that's probably the most important thing. Everyone probably has their own definition of success, for me it's happiness. Do I enjoy what I'm doing? Do I enjoy the people I'm with? Do I enjoy my life?
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
Way back in the old days, say in Europe of the Middle Ages, you had an aristocracy, and they could afford to pay for musicians. The kings and queens had musicians in the castles, and that developed into symphony orchestras and what we call "Classical music" now.
If I do have some success, I'd like to enjoy it, for heaven's sake! What is the point of having it otherwise?
Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.
Because America doesn't have a strong textile industry anymore, we have to bring things like fabrics, zippers, and color tape into the U.S., and having so many elements involved in production adds to the amount of waste. You might have some things coming from Italy, a button coming from China, or lining coming from Korea; it's just endless.
If I were retired I wouldn't know what to do because I'd have to think, well, now what is it I want to do? And what I want to do is what I'm doing. I enjoy coming up with new ideas, which if I'm lucky they might be good ideas. I enjoy seeing them take shape. And I'm having fun doing it. So I wouldn't know why I'd want to retire.
I would love to meet some directors, and why not do some other movies in America? But, I'm not obsessed with this idea. I'm feeling very free in Europe.
My husband often remarked what a pity it was that a great country like America, which in Europe is still regarded as such a young nation, should be represented seemingly only by old or infirm men.
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