Very similar experience happened last year when we released this album, North. It was on Deutsche Grammophon, it was very, very honest. It was the most honest record I've ever written.
Oh, my god," Augustus said. "i can't believe i have a crush on a girl with such cliché wishes." "i was thirteen," i said again, although of course i was only thinking "crush crush crush crush crush". I was flattered but changed the subject immediately.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
This book [the Bible] speaks both the voice of God and the voice of humanity, for there is told in it the most convincing of human experience that has ever been written...and those who heed that story will know their strength and happiness and success are all summed up in the exhortation, "Fear God and keep His commandments."
A journal is your completely unaltered voice - it's just for you. And if you know that voice, and you like it, you can bring it out to everyone else, and that's the most honest and vulnerable thing you can do.
I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
It's always fun to be able to have a voice, because it helps me to stay in tune with the project and the people that I am working with. Ther's nothing worse than being on a project and not being able to have a voice. I don't like that.
The first book ever written in an alphabet was the Hebrew Bible or the Old Testament. And the most important passage was the Ten Commandments. The first commandment is the most revolutionary sentence ever written. It states: "I am the Lord thy God there is no other." The second prohibits us from making images. Thus, there is a profound rejection of any goddess influence and a ban of representative art.
Lauryn Hill quietly released 'Lose Myself' as part of the 'Surf's Up' motion picture soundtrack - shocking, I know. It's not only one of the best summer tracks you'll add to your catalogue: it's also one of the most honest and heartfelt songs she's has ever written.
Most of the books that I've written have been focused on, sort of, the individual, and sort of, either a voice, a personal voice, or a kind of transforming event where they step forward to fight for something they value.
One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
The most challenging project I've ever done, I think, is every single thing I've ever tried to do. It's never easy.
I'm getting good offers, as good as ever sometimes. I just finished a thing with Billy Bob Thornton that was the most unique part I've ever played in my life, in the most unique project.
I'm probably the most honest person you'll ever meet - to a fault, like, I-will-hurt-your-feelings honest. I'm sure if I lied about anything, it would have been silly, but I haven't retained that information.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.