A Quote by Ray Bolger

I just play the little guy, except I play him through dance. — © Ray Bolger
I just play the little guy, except I play him through dance.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
When it comes time to dance, they're like a regiment; they do the same steps - except for the Mike Teavee dance, where the Oompas play in a rock band. I learned to play the guitar for that one.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
Don't play an attitude; don't play a guy who's negative. Play a guy who's not trying to sell anybody on anything, he's just saying how it is and if you want to come by what he's thinking, you're welcome. If you do not, then do not.
You just can't imagine the kind of guy he was without seeing him play. He was a circus, a play, a movie, all rolled into one.
Jim Thorpe is someone I've always loved. He was an Olympic athlete, you know, and a football player from back in the day. I'd love to play him. And then there's a guy called Iceman who was a top hit man for the mob. I would love to play him. Actually, it's sort of in the works, so I hope it goes through.
Mostly, whenever I'm booked to do instruction, I just play a little bit and get people to ask questions. We'll play some music for 'em, 'til somebody hollers out, 'Play 'Milk Cow Blues' or 'Play 'San Antonio Rose.' We play requests and demonstrate our music.
When I'm a little fatigued, sometimes I baby it. I don't try to do it. I'm not 100 percent. I probably won't be the rest of conference play. I just have to play through it. I've never really been injured before.
I was playing a gig in Greece in September 2003 and this guy walks up to me and says, 'Hey Tiesto I just heard you play; you're amazing. I want you to play at the opening ceremony of the Olympics.' I looked at him, like, 'Sure pal!'
You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I don't have to go through life being mean or having a stern face just to play basketball. I enjoy the game and play it how I like to play it.
I could play through anything. But just thinking about I have kids, longevity, I probably would have made more of a conscious effort not to hit the floor, but at the end of the day in the playoffs, you can't play that way. You just have to play and give it your all.
If I play a more aggressive, stronger guy, I often go through my day feeling a bit better than when I play somebody who's not.
The youngsters coming up now just go through the motions necessary to make the play. They should bounce around a little, show some life and zip. It adds a little action and gives the fans something to look at rather than the monotonous routine, no matter how perfectly the play is made.
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
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