A Quote by Ray Bradbury

Memory is an illusion, nothing more. It is a fire that needs constant tending. — © Ray Bradbury
Memory is an illusion, nothing more. It is a fire that needs constant tending.
Love is a delicate plant that needs constant tending and nurturing, and this cannot be done by snorting at the adored object like a gas explosion and calling her friends lice.
A poor man with nothing in his belly needs hope, illusion, more than bread.
The source of all the material comes from nothingness, illusion is working more on things you can prove. That's the principle, the essence of life, it is actually an illusion, not immaterial. That's worth pursuing. So illusion is not nothing. In a way, that is the truth.
It was one of those rare times when remembering the dead was more inmportant than tending to the needs of the living.
Nothing stays the same it all gets crushed. It all gets broken. It all passes with time. Only the moment you're in has any meaning." "There are things that stand the test of time, there are things that last. Like love." "Love theres nothing more fragile or ephereal. Love is like fire on a rainy day: you've got to spend all your time protecting it, feeding it, tending it because if you don't it goes out." "There are some loves that last." "No, what lasts is the pain that comes after love.
Memory plays tricks. Memory is another word for story, and nothing is more unreliable.
Everything is a meaningless struggle against nothing and when people say that the world has become a better place that is a false development-optimism. Nothing exists which ever becomes better. Everything stays the same. Somehow, there is nothing. That is so sad. Nothing to come to. Everything is an illusion. A very sweet illusion.
When you interact with another, an illusion is part of this dynamic. This illusion allows each soul to perceive what it needs to understands in order to heal.
Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.
There are different kinds of fire; there is false fire. No one knows this better than we do, but we are not such fools as to refuse good bank notes because there are false ones in circulation; and although we see here and there manifestations of what appears to us to be nothing more than mere earthly fire, we none the less prize and value, and seek for the genuine fire which comes from the altar of the Lord.
The tendency of fire is to go out; watch the fire on the altar of your heart. Anyone who has tended a fireplace fire knows that it needs to be stirred up occasionally.
It was a strange lightness, a drifting feeling. Zero gravity. I understood that everything that once seemed solid and immovable might just float away. And that this was a truth of life, not an illusion in the grieving mind of a child. Everything that is hard and heavy in your world is made up of billions of molecules in constant motion offering the illusion of permanence. But it all tends toward breaking down and falling away. Some things just go more quickly, more surprisingly, than others.
There is nothing higher and stronger and more wholesome and useful for life in later years than some good memory, especially a memory connected with childhood, with home.
The act of writing is for me often nothing more than the secret or conscious desire to carve words on a tombstone: to the memory of a town forever vanished, to the memory of a childhood in exile, to the memory of all those I loved and who, before I could tell them I loved them, went away.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.
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