A Quote by Ray Bradbury
[His] library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.
Related Quotes
You could tell from the books whether a library was meant for show or not. Books that were used had an open, interested feel to them, even if closed and neatly lined up on a shelf in strict order with their fellows. You felt as though the book took as much interest in you as you did in it and was willing to help when you reached for it.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
I am not sure I knew what I was doing, writing an "apocalypse" novel, when I started this book. Now that the book is done, I can own that I have in fact written an apocalypse novel, one that speculates on a dark, dark future. Why I did it, I really don't know - every time people read my work they comment on its darkness, its sadness.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
I'm open to writing just about anything. I love writing the books that I write. They do tend to be on dark subjects, but I don't think of myself necessarily as a dark-humored person. I like having a lot of fun.
How did it happen that now he could see everything so clearly. Something had given him leave to live in the present. Not once in his entire life had he come to rest in the quiet center of himself but had forever cast himself from some dark past he could not remember to a future that did not exist. Not once had he been present for his life. So his life had passed like a dream. Is it possible for people to miss their lives the way one can miss a plane?
When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt’s house and slip through into Fillory...it’s like he’s opening the covers of a book, but a book that did what books always promised to do and never ac tually quite did: get you out, really out, of where you were and into something better.
Out in the world not much happened. But here in the special night, a land bricked with paper and leather anything might happen, always did.
This would be...a book that would be a trapdoor down into some place dark. A place only you could go, alone, when you opened the cover. Because only books have that power.
Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.
When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
In seventh grade...I found a place on the [library]shelf where my book would be if I ever wrote a book, which I doubted.
People are often surprised that I am so upbeat. I'm always hearing, 'You're so light and funny, and your books are so dark and twisted.' There's a dichotomy. I like books that are dark and creepy. I don't control it - it's just what I gravitate toward.
he looked around at the books on the walls, at their dark, worn spines, and he seemed to hear a strange, distant murmur coming from them. each of the closed books was a door, and behind it stirred shadows, voices, sounds, heading toward him from a deep, dark place.
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