A Quote by Ray Bradbury
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
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My day-old son is plenty scrawny, his mouth is wide with screams, or yawny; His ears seem larger than he's needing, His nose is flat, his chin's receding. His skin is very, very red, He has no hair upon his head, And yet I'm proud as proud can be, To hear you say he looks like me.
A father can pass on his nose and eyes and even his intelligence to his child, but not his soul. In every human being the soul is new
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth.
Christ died. He left a will in which He gave His soul to His Father, His body to Joseph of Arimathea, His clothes to the soldiers, and His mother to John. But to His disciples, who had left all to follow Him, He left not silver or gold, but something far better-His PEACE!
In the life of a man, his time is but a moment, his being an incessant flux, his sense a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, his fame doubtful. In short, all that is body is as coursing waters, all that is of the soul as dreams and vapors.
The child had indeed shut up but all the questions that had accumulated on his tongue circulated in his mouth, moved through the passages of his nose and climbed up from there to tickle into his teardrop ducts, so in his moss green pupils, curious, insistent, accusing sparks of questions continued to light up and fade away like fireflies flitting about on summer nights.
He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.
All His glory and beauty come from within, and there He delights to dwell, His visits there are frequent, His conversation sweet, His comforts refreshing; and His peace passing all understanding.
The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.
Gamaun is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within;
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.
A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetratable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heartm speaks and acts against his feelings.
We over-estimate the conscience of our friend. His goodness seems better than our goodness, his nature finer, his temptations less. Everything that is his,--his name, his form, his dress, books, and instruments,--fancy enhances. Our own thought sounds new and larger from his mouth.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
But my last conscious thought was an image of Prince Char when he'd caught the bridle of Sir Stephan's horse. His face had been close to mine. Two curls had spilled onto his forehead. A few freckles dusted his nose, and his eyes said he was sorry for me to go.
Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of
his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were
horizontal. The V motif was picked up again by thickish brows rising outward from twin creases
above a hooked nose, and his pale brown hair grew down--from high flat temples--in a point on
his forehead. He looked rather pleasantly like a blond Satan.
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