A Quote by Ray Bradbury
How talented was death. How many expressions and manipulations of hand, face, body, no two alike.
Related Quotes
It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the thing you do with it. You are beautiful.
Before you go alter body, do some research and find out how many women have major life-threatening complications from nose jobs. Ask about how many nose jobs gone terribly wrong, and if you thought your face was wrong before, look what happens after. The more we start augmenting our bodies, the more and more we start to look alike, then nobody is special anymore.
You look around the world in 2013, and you say, 'How many prime ministers or presidents are in prison?' One or two. 'How many generals or bankers?' Two or three. 'But how many writers?' 850 or so.
How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.
A merchant is someone who figures out how to select, how to smell, how to identify, how to feel, how to time, how to buy, how to sell, and how to hopefully have two plus two equal six.
How many migrants, how many immigrants, how many migrants and refugees fleeing war-torn areas in the Middle East are permitted into the Vatican? I'm not kidding. I think I saw a story where they're going to take ... two. It's obviously symbolic. They will take two at the Vatican, thereby setting an example and showing how it's done.
We run after values that, at death, become zero. At the end of your life, nobody asks you how many degrees you have, or how many mansions you built, or how many Rolls Royces you could afford. That's what dying patients teach you.
Sign is a live, contemporaneous, visual-gestural language and consists of hand shapes, hand positioning, facial expressions, and body movements. Simply put, it is for me the most beautiful, immediate, and expressive of languages, because it incorporates the entire human body.
How much wit, good-nature, indulgences, how many good offices and civilities, are required among friends to accomplish in some years what a lovely face or a fine hand does in a minute!
I spent hours on the internet looking at how glamorous actresses winked and how they would put their hand on their waist, and I was told to look at how they would walk in a room and how her body takes place of everything.
A lot of people see somebody who has one hand and not two, and they think it doesn't make sense. It's like, 'He has one hand, so how can he play football?' What if I say, 'You have two hands. How can you play football?'
At the hour of death when we all come face to face with God we are going to be judged on love: how much we have loved, not how much we have done but how much love we have put in our action.
I’m the god of funerals. I know every death custom in the world—how to die properly, how to prepare the body and soul for the afterlife. I live for death.” “You must be fun at parties,” I said.
Look at YouTube, how many talented people there are. It's a whole new world of how to express yourself. I don't know how to work that world, but take advantage of it.
Life is but a mask worn on the face of death. And is death, then, but another mask? 'How many can say,' asks the Aztec poet, 'that there is, or is not, a truth beyond?'
Variability is the law of life, and as no two faces are the same, so no two bodies are alike, and no two individuals react alike and behave alike under the abnormal conditions which we know as disease.
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