A Quote by Ray Bradbury

So few want to be rebels anymore. And out of those few, most, like myself, scare easily. — © Ray Bradbury
So few want to be rebels anymore. And out of those few, most, like myself, scare easily.
The saved are few, but we must live with the few if we would be saved with the few. O God, too few indeed they are: yet amongst those few I wish to be!
I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends . . . to keep that superlative high, just on the cusp of each day . . . so that I'd radiate sunshine.
They can print statistics and count the populations in hundreds of thousands, but to each man a city consists of no more than a few streets, a few houses, a few people. Remove those few and a city exists no longer except as a pain in the memory, like a pain of an amputated leg no longer there.
A few more years shall roll, A few more seasons come; And we shall be with those that rest, Asleep within the tomb. A few more storms shall beat On this wild rocky shore; And we shall be where tempests cease, And surges swell no more. A few more struggles here, A few more partings o'er, A few more toils, a few more tears, And we shall weep no more. Then, O my Lord, prepare My soul for that blest day; Oh, wash me in Thy precious blood, And take my sins away.
It's nice to have a few names. I use a few names myself. I use a few different surnames. I call myself James sometimes. I actually use my mother's name as a professional name. But if someone calls me Mr. Murphy or Mr. Gillen, I don't like that. I don't like being called 'mister,' and I don't like being called 'sir.'
I do not want art for a few any more than education for a few, or freedom for a few.
If you wish to have power and influence over the many, be faithful (disciplined) when there is just a few. If you have a few employees, a few distributors, a few people, that's the time to stay in touch and be totally absorbed -- when there is just a few.
My process of working is not really that unique. I like to paint during the day, and block out large chunks of time with which to work. I prefer to work on a painting in a few swift passes, and not fuss over it. I think that the work needs to have an energy to it that can't be accomplished if one is adding a few strokes everyday. Once a piece is done, I don't work on it anymore. I hate fussy.
I ask myself why I do it. Maybe it's to prove I'm still around. It takes a lot out of my body. I'm not an NBA player anymore. At my age, very few people can handle it.
You never leave a band like DHG. There's very few who are insane enough to be a part of something like that and you just can't take it out of you that easily!
I don't write easily or rapidly. My first draft usually has only a few elements worth keeping. I have to find what those are and build from them and throw out what doesn't work, or what simply is not alive.
I ask myself why I do it [work]. Maybe it's to prove I'm still around. It takes a lot out of my body. I'm not an NBA player anymore. At my age, very few people can handle it.
I have met a few Casanovas I like and a few I have not liked - and I hope to meet a few more.
The internet has spawned people for whom knowingness is more important than knowledge. It equips you with the illusion of offering knowledge instantly - and quite easily - so you can read a few articles on a few subjects and feel well informed but not actually know any of those subjects in any depth.
One of the very few things that I actually read about myself on blogs that got to me was people saying, 'Ne-Yo doesn't do R&B music anymore.' Just because I stepped off the porch to explore doesn't mean I don't live in that house anymore.
Since the advent of Benny Goodman, there have been too few clarinetists to fill the void that Goodman left. Ken Peplowski is most certainly one of those few. The man is magic.
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