A Quote by Ray Bradbury
When you go home tonight, make a list of the people who are impediments, who don't believe in you, and call them up and tell them, 'Get the hell out of my life.' You don't need them. Writing is tough enough without having people around you who contribute to a writer's insecurity.
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Get rid of those friends of yours who make fun of you and don't believe in you. And when you leave here tonight, go home, make a phone call and fire them. Anyone that doesn't believe in you and your future, to hell with them.
It's important to me to try and expose young people to the things they believe are off-limits to them. I tell them, 'There are no walls, only the ones we put up.' My advice to young people looking at my life is not to follow my footprint but to go out there and make their own.
We have to give people the freedom to choose lifestyles and material satisfactions that suit their needs, and we have to redefine need itself. We can't redefine need among ghetto people by telling them we should all give up our TV sets or automobiles: we have to tell them there's enough to go around, now let's talk about using it sensibly.
There are young people having babies every day that cannot possibly take care of them, and, as people who believe that every life is beautiful, we need to make them aware of another choice - to give that beautiful life up for adoption.
Figure out what you are meant to contribute to the world and make sure you contribute it. If this requires public speaking or networking or other activities that make you uncomfortable, do them anyway. But accept that they're difficult, get the training you need to make them easier, and reward yourself when you're done.
Once you convince people that they're victims, you really own them because you've just told them that whatever problems they have in life, it's not their fault. And then you're telling them they can't fix them by themselves. Look at your life. Your life sucks. You're a victim of these people here, you can't fix it. You need us looking out for you. "Us" being the Democrat Party in this case, the people that go out and get votes.
If you believe that there’s a heaven and hell and people could be going to hell—or not getting eternal life or whatever—and you think that, well, it’s not really worth telling them this because it would make it socially awkward. . . . How much do you have to hate somebody to not proselytize? How much do you have to hate somebody to believe that everlasting life is possible and not tell them that?
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
When the players go home, I can't tell them what to do, so you need to create an atmosphere of trust. I don't want to think, 'What are they doing now? Do I need to call them?'
What do you do when it seems as if people want to stay in their pain. They have a story to tell and they tell you every chance they get. Well, believe it or not, they may like where they are. Our job is to leave them there. You can point the way out of pain, but you cannot force them to get out. You can support the move beyond their limitations, but you cannot make the move for them.
I think it's false, shallow, to be giving to others when your own need is great. The idea is not to comfort people, not to make them feel better but to make them feel worse, to constantly put before them the degradations and humiliations they go through to get what they call a living wage.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
I believe a good leader brings out the best in people by listening to them, trusting in them, believing in them, respecting them and letting them have a go.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
Creative people are very insecure people because they don't know whether people like them or are in awe of them. That insecurity always comes out. It makes them a better actor, I feel.
There's always somebody you can call and go have lunch with and just talk out an idea. And it's great, because I need that. It's part of my writing process, to early on sit people down and say, 'Alright, this film I'm working on...' and I tell them everything I have.
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