When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.
As a youngster, I read of Buck Rogers and Flash Gordon. As a student, I wrote English reports on science fiction. And as a fighter pilot, I observed the selection of the Mercury astronauts. All this was fascinating, but I really didn't think I would ever be a part of it. It was only when my good friend Ed White was selected as a Gemini astronaut that I decided to join NASA as part of the Apollo program.
Star Wars' was derivative of 'Buck Rogers' and 'Flash Gordon,' wasn't it?
When I was young, I ran to see Astaire and Rogers, Huston, Lubitsch - they were formative for me. I also read 'Flash Gordon' when I was 6, but if I were still reading it when I was 16, I'd have been an imbecile.
I should think just about every young writer - which I was at the time - would be influenced by HPL. As an American writer of weird fiction, he was at the top of the class.
I would be more frightened as a writer if people thought my movies were like science fiction.
I hate to date myself, but my earliest memories are Flash Gordon. I would love playing Flash Gordon in the neighborhood.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living.
I wanted to be a writer from my early teenage years, but I never told anyone. Writers, in my opinion, were god-like creatures, and to say I was striving to be a writer would be incredibly arrogant.
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face.
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face
When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'
I had never been much of a science-fiction or Buck Rogers fan. I was more interested in what was going on right now than in the centuries to come.
When I think about myself as a writer, for sure I am a science fiction writer. The tools of extrapolation, the tools of anticipating the future - those are science fictional questions.