A Quote by Ray Bradbury

I am madness maddened when it comes to books, writers, and the great granary silos where their wits are stored. — © Ray Bradbury
I am madness maddened when it comes to books, writers, and the great granary silos where their wits are stored.
I am madness maddened! That wild madness that's only calm to comprehend itself
Great wits are sure to madness near allied, and thin partitions do their bounds divide.
Get away from all books and forms and let your soul see its Self. "We are deluded and maddened by books", Shri Krishna declares.
Alas, sir, how fell you besides your five wits?" Malvolio: "Fool, there was never a man so notoriously abused. I am as well in my wits, fool, as thou art." Feste: "But as well? Then you are mad indeed, if you be no better in you wits than a fool.
She kindly laments that I am not of the party, and to be sure I honour great ladies, and I admire great wits, but I am of the same opinion in regard to assemblies that is held concerning oysters, that they are never good in a month that has not the letter R in it.
Bulk collection means all of your communications are being secretly intercepted. They are being stolen as they cross India, and they're being stored in these silos so that they can be rifled through at the convenience of secret agents, basically.
In matching your wits against yourself you take on the shrewdest and wiliest antagonist you can have, and consequently a victorious outcome in this duel of wits brings a great feeling of triumph.
As it is the characteristic of great wits to say much in few words, so small wits seem to have the gift of speaking much and saying nothing.
Television is actually closer to reality than anything in books. The madness of TV is the madness of human life.
Maxims and aphorisms, let us remember that wisdom is the true salt of literature, and the books that are most nourishing are richly stored with it, and that is the main object to seek in reading books.
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.
I'm always very grateful for stories about the great coffeehouse wits in Vienna at the turn of the last century. People would wait for a chance to stand near the table where the great wits were trading witticisms as a spectator sport because it was that good. They were that on fire and there was no product. They didn't write anything down. It was just the pleasure of engagement with the moment. I think that's my kind of ideal of how I live.
The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.
I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.
I think even great writers only write two books that you might like. When I think of my touchstone writers like Saul Bellow, I think of 'Henderson the Rain King.' With Don DeLillo, I think of 'Libra.'
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