A Quote by Ray Bradbury
You let the story cool off and then, instead of rewriting it, you relive it.
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The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
Dreaming and hoping won't produce a piece of work; only writing, rewriting and rewriting (if necessary)- a devoted translation of thoughts and dreams into words on paper will result in a story.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
Don't keep rewriting and polishing something if it isn't setting the world on fire: start something new instead and consider the earlier story a learning experience.
If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.
I get ill when I'm writing because I'm so focused on it, and it can take a year or two. Often, I knock out the first draft very quickly. I can do it in five to six weeks. Then, it takes a year of rewriting it and rewriting it.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
The writing process is not just putting down one page after another-it's a lot of writing and then rewriting, restructuring the story, changing the way things come together.
I tell the players that they can't relive any day in their lives and that they can't relive the minutes of a game, so they should make a great effort, a Mount Everest type effort, to live up to their potential. Success is a communal type thing, and if we win, then everyone can be considered successful and we can move uptown together.
Most Sagittariuses start off really reserved. You gotta check people out, see what they're about, and then once we decide you're cool, then that's when we become super fun and really outgoing. But first we gotta make sure everybody's cool.
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
I do the same kind of rewriting that I do in the shorts that I do in long books - and that is a lot. The book really comes to life in the rewriting.
For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.
Never take a mulligan on a par 3. A "hole in three" is not a fun story to relive.
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