A Quote by Ray Bradbury

Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic. — © Ray Bradbury
Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.
I go back and forth between wanting to be abundantly simple and maddeningly complex.
If this seems complex, the reason is because Tao is both simple and complex. It is complex when we try to understand it, and simple when we allow ourselves to experience it.
Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow. Ah, but I was so much older then, I'm younger than that now. Half-wracked prejudice leaped forth "Rip down all hate," I screamed Lies that life is black and white Spoke from my skull. I dreamed Romantic facts of musketeers Foundationed deep, somehow. Ah, but I was so much older then, I'm younger than that now.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
The ecstatic insanity of romantic pursuit can be so enhanced by music that entire romantic conquests, victories and ruinous, crushing defeats can be tied to songs to such a degree that it's almost unbearable to listen to them again, as they bring back the memories so vividly.
Too many escape into complexity these days. For it is an escape for persons to cry, when this question of the equality of peoples is raised in India or in our own South, 'Ah, but the situation is not so simple.' ... no great stride forward is ever made for the individual or for the human race unless the complex situation is reduced to one simple question and its simple answer.
Ah, that we lack the courage of our romantic convictions; and thereby miss the wine of life, forgoing the very thing that makes living worthwhile.
I saw Tequila Sunrise as a romantic picture with complex, bigger than life characters.
In this world, there are two times. There is mechanical time and there is body time. The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth. The second squirms and wriggles like a bluefish in a bay. The first is unyielding, predetermined. The second makes up its mind as it goes along.
But as de old folk always say, Ah'm born but Ah ain't dead. No tellin' whut Ah'm liable tuh do yet.
Ah, nut-brown partridges! Ah, brilliant pheasants! And ah, ye poachers!--'Tis no sport for peasants.
Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.
O, you men who think or say that I am malevolent, stubborn or misanthropic, how greatly do you wrong me. You do not know the secret cause which makes me seem that way to you, and I would have ended my life - it was only my art that held me back. Ah, it seemed impossible to leave the world until I had brought forth all that I felt was within me.
I am deeply romantic and a genuine yet complex person.
Ah, happy hills! ah, pleasing shade! Ah, fields beloved in vain! Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales that from ye blow A momentary bliss bestow.
From the day Microsoft was started, the only constraint to our growth has been attracting ah, more great programmers, very smart, committed, ah, people. And so we're always on... on the look for ah, that kind of person.
This site uses cookies to ensure you get the best experience. More info...
Got it!