A Quote by Ray Bradbury

I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning. — © Ray Bradbury
I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning.
Hold on tight, Sam." He puts me in a choke hold. "Ahhh," I gasp. "Not that tight.
LIfe has got all those twists and turns. You've got to hold on tight and off you go.
Misha's importance and distinctiveness are beginning to be noticed, there's beginning to be some kind of rip-tide here that will soon become a wave of recognition for a book that the world is beginning to catch up to... We weren't ready before. We'd better be ready now. Because it's the 21st century, any minute now, and that means that Misha's time has come. In more ways than one.
Sun's up, uh huh, looks okay - the world survives into another day, and I'm thinking about eternity. Some kind of ecstasy got a hold on me.
My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. “Hold tight,” I would tell myself, but there was nothing for me to hold on to.
Some people can go out in a tight, short dress and heels, and it works, but even if I'm going to a club, I've got to throw on a big hoodie or something. And that's if you can get me into something tight in the first place.
So forget the price tag. I mean, forget the size tag and focus on "Does it look right on me?" Would it look better with a little more blouse? A lot of people think, "Oh, my God, it's got to be tight, it's got to be tight." Actually, you look thinner when it's not as tight.
Women totally dress for women. If we were dressed for men, we'd be prancing around in tight, tight, tight bodycon skirts and tops all day or really simple jeans and T-shirts.
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
You've got to have some adversity and learn from it. I'm working hard, but I didn't expect a cure in one day. You learn. You move on. You hold your head up. You go on to the next day.
I'm like a surfer right now. I'm just surfing the wave. Except that I can't swim, so I'm on the board trying to hold on tight.
My finger can point to the moon, but my finger is not the moon. You don't have to become my finger, nor do you have to worship my finger. You have to forget my finger, and look at where it is pointing.
The producer, in effect, has to work as a translator. You form a very tight relationship with the director and writer from the beginning, and then you are constantly communicating to the various people that begin to come into the process, as you are trying to manage to hold on to a vision that needs to be communicated over a long period of time.
Now that I've got a way in [to the industry] - because it can feel a bit like, "How can I possibly write a film?" - but now that I've got at least some experience in the film world, I'd absolutely love to do it again.
I think you've still got to try to be good, day-to-day. You see a granny, you hold the door open for her. You just try to do the right thing. I don't know if that makes you a saint or the greatest guy in the world, but trying is a start.
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