A Quote by Ray Bradbury

If I'd found out that Norman Mailer liked me. I'd have killed myself. — © Ray Bradbury
If I'd found out that Norman Mailer liked me. I'd have killed myself.
It's always an interesting question of what was it like as Norman Mailer's son because I could easily turn it back and say what's it like not to. I didn't always realize my dad was Norman Mailer. I always knew he was Dad, and then I forget the exact age when it dawned on me that, you know, he is actually someone who affects the public consciousness of the time. It was amazing. I mean he was a rock star and brilliant and kind and funny and generous and scary when he needed to be and, you know, hard as a father.
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
Me and Norman Mailer have talked about how hard it is in America to get better. Especially at writing.
Once during a taping there was an actor who kept blowing his lines. It happened again and again. Finally Norman Fell came out-he wasn't even in that scene. But Norman came out and you know what he did? He killed the guy with a hammer.
I once looked like Norman Mailer in a picture with bad lighting.
How could you not love Norman Mailer? He was a total chauvinist, but also so vulnerable.
My high-school papers, my college-application essays, read like Norman Mailer packed in a crunchy-peanut-butter sandwich.
What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
The experience of climbing Kilimanjaro affected me so powerfully that, for a long time afterward, if I caught myself saying, "I'm not a person who likes to do that activity, eat that food, listen to that music," I would automatically go out and do what I imagined I didn't like. Generally I found I was wrong about myself - I liked what I thought I wouldn't like. And even if I didn't like the particular experience, I learned I liked having new experiences.
The whole book experience was a look into another world, the world of Gore Vidal and Norman Mailer.
[Norman Mailer] is against masturbation, he's against homosexuality. He believes that murder is essentially sexual. I think he's rather an anthology of all the darkest American traits.
Norman Mailer decocts matters of the first philosophical magnitude from an examination of his own ordure, and I am not talking about his books.
I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
I've always been a fan of books that create an interesting blend of fact and fiction - whether it's Norman Mailer, or 'The Short Timers,' or 'In Cold Blood.' I'm a fan of that genre.
It's absolutely philistine not to recognize what a great book 'An American Dream' is. Norman Mailer is his own worst enemy, and if you don't catch him in a defensive position, he'll admit it. I'd really like to help that man.
When I was in graduate school, my thesis included both poetry and essays. Influenced by the personal essays of James Baldwin and Norman Mailer, I loved the form, but pretty much stopped.
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