A Quote by Ray Bradbury
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
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Many of the early greats of sf ? Hugo Gernsback (publisher of Amazing Stories) in particular ? saw themselves as educators. The didactic thrust of science fiction got the genre initially pegged as children's fare. It was seen, at its best, as an extension of school and, at its worst, as teenage wish fulfillment.
I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
There was one occasion when I was very young - eight years or seven years old - that Jewish businessmen went through the forest, and they were assassinated. And that was for the first time I saw in our paper where there were assassinations in our place.
When I was 7 years old, I plagiarized, word for word, stories from science fiction magazines so my teachers would think I was smart.
I was writing short stories aged seven or eight. I had a vivid, overactive imagination.
No one writes a story like Lydia Davis. In the years since she began publishing her lyrical, extremely short fiction, she has quietly become one of the most impactful influences on American writers, even if they don't know it. That's largely because she makes economy seem so easy. You could read several of her stories into a friend's voicemail box before you were cut off (and you should). You could fit one of her stories in this column. Some you could write on your palm.
I try to make time for reading each night. In addition to the usual newspapers and magazines, I make it a priority to read at least one newsweekly from cover to cover. If I were to read what intrigues me- say, the science and business sections - then I would finish the magazine the same person I was when I started. So I read it all.
I do not deny my German identity. But I also feel Swiss. Of my eight great-grandparents, seven were born Swiss. I have been living in Switzerland for more than 50 years.
There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
I first foreswore motherhood when I was about eight years old. ... [Children] were annoying. We were loud and sneaky and broke things. As an eight-year-old, maybe I was simply mortified by the prospect of being saddled with myself.
The Nehru years were rather very peaceful years. A lot happened in those years: dams were built, five-year plans were made, Chandigarh was built in front of my eyes. Those were the years I grew up in.
I think of science fiction as being part of the great river of imaginative fiction that has flowed through English literature, probably for 400 or 500 years, well predating modern science.
When I started publishing - my first novel came out in 1990 - there were no options for publishing science fiction in Canada. There were no small presses, and the large presses simply would not touch it at all.
If we're going to change the game it has to start at eight, nine and 10 years old. When we were that age we'd go to the pond or backyard rink and throw a puck on the ice and play five on five, or seven on seven. You get this creativity and this imagination that comes from within, just having fun on the pond. Now kids are so focused on team play, and the coaches are so focused on positioning. You can't change it at the NHL level.
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