A Quote by Ray Charles

I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. — © Ray Charles
I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society .... these are only feelings I have, and I am the least speculative man on earth.
I can't just sing karaoke; I can't do anything to try to sound like other people. I have to find what I naturally sound like and emphasize that.
In Western classical music the idea of holiness, purity, perfection, and total beauty is expressed through clarity of sound - a bell-like sound. Obviously, that has its own place, and it's a beautiful way of doing it. But I don't think I am the first to point out that in Africa, the more buzzing the sound is, the more it indicates the other world - the spirit world.
Part of the success of This American Life, I think, is due to the fact that none of us sound like we should be on the radio. We don't sound professional; we sound like people you would know.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
I know that in many things I am not like others, but I do not know what I really am like. Man cannot compare himself with any other creature; he is not a monkey, not a cow, not a tree. I am a man. But what is it to be that? Like every other being, I am a splinter of the infinite deity, but I cannot contrast myself with any animal, any plant or any stone. Only a mythical being has a range greater than man's. How then can man form any definite opinions about himself?.
Working with Timbaland, you know it's not gonna sound like anything else out there today. The sound is very next-level.
Well, you know it was so different from when you rehearsed. You're out there with your guitar and trying to get a sound, but it doesn't sound anything like what you expect!
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
As a DJ I am never 100 percent in charge of the sound. The sound levels are controlled by someone at the sound board of the venue.
This site uses cookies to ensure you get the best experience. More info...
Got it!