A Quote by Ray Charles
The role of the designer is basically that of a good host, anticipating the needs of the guest.
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If the guests want to wrest the check away from the host, because the host is also the guest of honor, then the guest who volunteers has to cover the whole thing. A guest can't volunteer -all- of the guests to pay for the host/honoree.
It is good to dress in fair clothes to dine with friends. It honors your host, if you are a guest; and your guest if you are a host. And both adorn the feast, and so celebrate the gifts of the world.
A guest is really good or bad because of the host or hostess who makes being a guest an easy or a difficult task.
I'm a much worse guest than I am a host, and I'm not an awfully good host either. I really like being alone.
The truly essential bargain between host and guest requires the guest only to respond promptly, show up on time, socialize with other guests, thank the host, write additional thanks and reciprocate. You needn't bring anything.
My father and I were never intimate in the sense of my coming to him with confidences or seeking advice. Our relationship was rather that of host and guest. Perhaps host and guest is really the happiest relation for father and son.
People think of a parasite as simply taking money, taking blood out of a host or taking money out of the economy. But in nature it's much more complicated. The parasite can't simply come in and take something. First of all, it needs to numb the host. It has an enzyme so that the host doesn't realize the parasite's there. And then the parasites have another enzyme that takes over the host's brain. It makes the host imagine that the parasite is part of its own body, actually part of itself and hence to be protected. That’s basically what Wall Street has done.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
One of the best things I ever did was to train in a practical skill. I love computers and they've become such a part of life, especially to the world of design. But it's important to understand that they are a tool, as much as a hammer or a saw is a tool. Computers don't help you design. There needs to be more emphasis on training young designers in how to build things. A good writer needs a good vocabulary. A good designer needs to understand his materials and processes. You can't, as a successful designer, pretend to get any respect if you don't know how things are made.
To be honest, I've always been really interested in the role of the host, whether it's our kind of Billy Crystal-style traditional awards show host or when you have someone like Louis C.K. or a more edgy stand-up comedian do their take on a hosting role.
Hospitality is always an act that benefits the host even more than the guest. The concept of hospitality arose in ancient times when the reciprocity was easier to see: in nomadic cultures, the food and shelter one gave to a stranger yesterday is the food and shelter one hopes to receive from a stranger tomorrow. By offering hospitality, one participates in the endless reweaving of a social fabric on which all can depend-thus the gift of sustenance for the guest becomes a gift of hope for the host.
I'm not a fearful person, but I'm a pretty pessimistic person. So some of my best times are waiting, anticipating. That's the way it always has been with me, whether anticipating a ball game, anticipating a relationship.
I didn't feel like it was essential to have a white host or a black host, I wanted a good host.
I think a good designer can exist everywhere and anywhere and all the time. It's all about being good, and I think that our job basically is to make women and men look good.
Pleasantest of all ties is the tie of host and guest.
As an actor, I look for the part itself. I look for the story and the role. If there's no money, but it's a good part in a good role, I'll still consider it. Basically, the worse the role is, the worse the story is, and the more they'll have to pay me. It's a simple correlation.
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