A Quote by Ray Charles
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, 'Oh, that must have happened to him,' that's when you know you're transmitting. It's like being a good actor. You make people feel things, emotions and what not.
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If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
Take my gay-hairdresser routine. You'll let your hairdresser say things to you that you wouldn't let your parents say. My hairdresser will say the funniest things, so I asked him if I could put him in my routine - you know, make fun of him in a good way. He said, 'Oh, mention my name, mention my name!'
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
I always tell people is really make sure you know why you want to do it. For me, I didnt make a conscious decision like "Oh I want to be a singer", it was like I grew up around it, I was singing because it was just natural for me to sing.
Music can help you through any kind of emotion. It can help you through a break-up, make you dance, or help you realize or understand something about yourself... and if I can sing a song and make someone feel those things then I will feel like I have made a difference.
Giving yourself over to the fine line of a human-like droid means that sometimes you make choices that don't make you feel good, as an actor, and you have to learn to embrace that. No actor will tell you that that's a good place to be.
Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me."
A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
I don't know what singers feel like when they make a song and people clap along and love it, but when people walk up to me and say the food was outstanding, that's what it is all about. I cook because I like to make people happy.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
Think thoughts that make you happy. Do things that make you feel good. Be with people who make you feel good. Eat things that make your body feel good. Go at a pace that makes you feel good.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
People say to me, 'Oh, being a mother must make you a better actor,' and I think, 'Well, I never sleep, I have very little time to think about anything except when I'm actually there.' I wonder whether that makes me a better actor. I think it must on some level.
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