A Quote by Ray Charles
I've always been the kind of person who, if there's anything that can kill me, I want to know something about it.
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I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
With Tinder and all these other things, there's always this kind of illusion with infinite choices. There's something very cool about saying, 'Oh, I actually really care about this person, and I want to commit to loving this person and being loyal to this person.' You can't get that from the kind of infinite multiple choices that are out there.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
There has always been something about the biggest, the wealthiest, the best-known, the most prestigious that has appealed to me. It's always seemed to me that that is what people want to know about.
I've always been passionate about the concept of helping the underdog. It just doesn't make sense to me as to what kind of person would take a huge platform and not use it to do something, to change something, to help people.
I don't read anything about myself. As a child, there was something in me that was just instinctive. I want to be clear in my spirit, and I don't want to be blocked by things that get inside of you and kill you.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
I never wanted to be famous or get any sort of recognition for my person or my personality; it has always been for my work. There's something that bothers me intrinsically about social media, but it's just expected of you now. It's almost part of your contract. But that's not what I'm selling. I don't want to sell anything.
You're a very difficult person to manipulate, you know." "Nonsense," he said. "You just have to promise me that I won't have to do a thing, and then I'll do anything you want." "Anything?" "Anything that doesn't require doing anything." "That's nothing, then." "Is it?" "Yes." "Well, that's something.
I've always been sceptical about the notion that the market is a person you can engage in an argument with, and that that person is an intelligent, rational, well-intentioned person: it is fantasy. We know that ... the market is subject to irrational optimism and pessimism, and is vindictive ... You're dealing with a crazy man ... Having got what he wants he will still kill you.
I feel like anything I'm doing in life, I try to stay myself and be as honest and true as I can be, you know, and be a nice person. I've always been taught to be kind to people and have an open mind about life.
In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
I want to get out there and do anything, but I still don't know about riding roller coasters. I've never been on one. There is something about being strapped in and on a track; I always feel like we're going to be launched off somewhere.
There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
Wasn’t that kind of the basis of passion? I didn’t know that either. The only thing I knew for sure was that this kiss had been a lot like the last one. Nice, but it didn’t blow me away. My heart sank. There was something wrong with me. Everyone was always going on about how socially inept I was. Did it extend to romance as well? Was I so cold that I’d spend my life never feeling anything?
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