A Quote by Ray Charles
Any artist, when he goes in to record, should have the feeling that any song he records can be a hit. This may sound egotistical, but it makes sense.
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I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
There's a pervasive feeling that when somebody sings a song and records a song on a record, that it's their true feeling.
As I view it, in every family a record should be kept...that record should be the first stone, if you choose, in the family altar. It should be a book known and used in the family circle; and when the child reaches maturity and goes out to make another household, one of the first things that the young couple should take along should be the records of their families, to be extended by them as life goes on...each one of us carries, individually, the responsibility of record keeping, and we should assume it.
It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."
I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
In the '80s, the way radio was programmed, if you didn't have a hit record you weren't going to be able to make any more records. That was it, period.
I never have used any other artist as a model for a sound or a song. It always has to come from an emotion, and capturing the essence of that emotion in a song.
I don't think any religion makes any sense and I think people who are into that are really getting duped, and I don't think Judaism makes any more sense than Christianity, and I don't think Christianity makes any more sense than Scientology. But here's a guy, L. Ron Hubbard, who told all his friends, 'Look, I'm gonna start a religion, 'cause I can't make any money as a science fiction writer.' I mean, he admitted that publicly! At least with Jesus Christ, you can't go talk to the guy.
[Best original song nomination in 2016] should be Wiz Khalifa for "See You Again," but this is an amazing song and it's easily the biggest song out of any of the songs nominated. It was a huge hit. And really, I'm just happy for Weeknd as a person.
My favorite kind of song is the most beautiful song that you love so much and it's so good it makes you want to cry a little bit. Any jam can sound like that on a certain day.
With the beginning of any record for an artist there's a certain amount of time of finding the blueprint and trying to find what the architecture is of the sound.
I had been DJing a dance night in Brooklyn and witnessed the response people had to "The Devil's Dancers" - Oppenheimer's one hit song. All these young people were dancing to this amazing song, completely unaware of whether it was current or not. It was from 1982, but sounded very current. It made sense that a physical record should exist for this song again. It seemed the obvious choice to represent what Minimal Wave was going to be.
If you're an artist, and you put out a record - most artists only have one or two hit records - that has 100 million streams, on certain services you only get paid on 75% of those streams. How's an artist going to live like that?
You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.
Who is the best rapper ever? I'll probably have to say Eminem. I would definitely say Eminem. He came from a whole another culture, literally. Mastered it, outsold everybody and he did every kind of record imaginable. He could take any topic and make a song out of it. I haven't seen any artist do that yet.
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