A Quote by Ray Dalio
I've learned that each mistake was probably a reflection of something that I was (or others were) doing wrong, so if I could figure out what that was, I could learn how to be more effective.
Related Quotes
But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.
I didn't realize how different our band's senses of melody actually were. I would write a part that just made perfect sense to me, but for them, it was mind-boggling. Likewise, they could play stuff with relative ease that I never could have. If there was something lost in translation melodically, it wouldn't work at all - we'd just be 17 people in a giant room staring awkwardly at each other. When that happened, I'd go home, figure out what was wrong, fix it, and then return to smooth sailing.
In my research, I learned that the Boxers' kung fu wasn't all that formalized. The vast majority of them didn't belong to some age-old martial arts tradition. They were basically poor, starving teenagers doing the best they could to figure out how to fight, relying more on their mystical beliefs than formal training.
When I found I could not figure something out, I decided to learn about it, until I knew as much as I could. It's my way.
I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.
When I went to college in 1988, most people were probably trying to figure out how they were going to decorate their rooms, who was going to be on their floor, what classes they were going to take. My big preoccupation at that point was figuring out how I could get my absentee ballot so that I could vote in Ohio for Michael Dukakis at that time.
Writing is learned by imitation. If anyone asked me how I learned to write, I'd say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.
I realized that my money would do vastly more good for others than it could for me and decided to make a commitment to donating to the most effective charities I could find. Many people contacted me asking how they could do this as well, and so I set up giving what we can.
Figure out the one solution - not three - that you want to see happen. There were quite a few things we could have gone after but we decided to focus on the commanders and that was a strategic decision because that, for us, would be the most vulnerable point and the most effective one that could immediately change.
Many have marked the speed with which Muad'Dib learned the necessities of Arrakis. The Bene Gesserit, of course, know the basis of this speed. For the others, we can say that Muad'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad'Dib knew that every experience carries its lesson.
As a scientist, objectivity is one of my most deeply held values. If we could just try harder, I once thought, surely we could each see the world as others see it and learn to respect one another's views more readily. But I learned from the Pirahas, our expectations, our culture, and our experiences can render even perceptions of the environment nearly incommensurable cross-culturally.
I learned that everyone makes mistakes and has weaknesses and that one of the most important things that differentiates people is their approach to handling them. I learned that there is an incredible beauty to mistakes, because embedded in each mistake is a puzzle, and a gem that I could get if I solved it, i.e. a principle that I could use to reduce my mistakes in the future.
When I had decided to become an actor, I did a lot of soul-searching to figure out how I could be different. What could I bring to the table that others or my father couldn't have? That's when I worked on my strong points, namely action and dancing.
I was born trying to figure out why other kids were just playing in a circle. What are you doing in the circle? Duck, Duck, Goose? What is the goose supposed to do? You could be organizing; you could be producing products that are for sale. You have a circle, but how are you utilizing it?
But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play.
I feel like the inspiration is that I've managed to change my songwriting over the past couple of years and also production styles. I could get a sense of what really worked well, and I think this sound developed naturally. That's what happens when you're doing it all the time and changing as a person. Some songs were really dark, and others were more psychedelic. It was useful to have that to figure out exactly what I wanted to do.
Related Authors
Bill Gates Quotes
American
Businessman
Charlie Munger Quotes
American
Businessman
Dieter F. Uchtdorf Quotes
German
Businessman
Henry Ford Quotes
American
Businessman
Jim Rohn Quotes
American
Businessman
Joseph B. Wirthlin Quotes
American
Businessman
Mark Cuban Quotes
American
Businessman
Mark Zuckerberg Quotes
American
Businessman
Peter Drucker Quotes
American
Businessman
Richard Branson Quotes
British
Businessman
Russell Simmons Quotes
American
Businessman
Sam Altman Quotes
American
Businessman
Steve Jobs Quotes
American
Businessman
Tom Peters Quotes
American
Businessman
Walt Disney Quotes
American
Businessman
Warren Buffett Quotes
American
Businessman