A Quote by Ray Davies

Hey, is that you Elvis? I wanna speak to the Colonel. Jump to it, you mother. — © Ray Davies
Hey, is that you Elvis? I wanna speak to the Colonel. Jump to it, you mother.
I met the Colonel when Elvis was recording some song I'd written for one of his movies. Elvis was just having fun with the gang and all the Memphis boys and Colonel Parker was sitting over here in like a theater seat.
I still have an old painting the Colonel gave me. It was the first time the Colonel had been back to the Hilton since Elvis had passed away.
The luge is the only Olympic event where you could have people competing in it against their will, and it would look exactly the same. Take people off the street, 'Hey, hey, hey, what is this?! I don't wanna be in the luge!' Once you put that helmet on them, 'You're in the luge, buddy!' 'aaaAAAaaaAAAaaaAAA... aaaAAAAA...' World record. Didn't even wanna do it. I'd like to see that next Olympics, the Involuntary Luge.
Elvis said, Miss Minnie, do you think it would be out of order if I go up and speak to General Stewart? I've always been such a fan of his. So Elvis went up to speak to the Stewarts.
To some extent, the idea that rock 'n roll used to have this sort of free antediluvian identity, frolicking in the 1950s with Elvis or something, is totally wrong. It's insane. Elvis' relationship with Colonel Parker, his manager, was one of the most possibly corrupt, certainly lucrative, and intense business partnerships ever in rock n' roll.
Had I been pushed like Colonel Parker pushed Elvis, had I been a white boy like Elvis, sure, it would have been different.
I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
Colonel Parker asked Henry and me to come to Elvis' suite and have breakfast. There were at least five policemen stationed up there. He was talking on the telephone.
Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still The King.
I wanna be in a movie, I wanna have a clothing line, I wanna put myself in a position where, when I'm dead and gone, or I can't rap anymore, that's still moving. Tupac and Biggie, they've been dead 10-plus years and people talk about them everyday. I'm gonna try to speak everything into existence. I know the music is my key to get there.
I wanna be strong, I wanna laugh along, I wanna belong to the living. Alive, alive, I wanna get up and jive, Wanna wreck my stockings in some jukebox dive.
When I was with Elvis, I used to remind myself there's Elvis on the marquee and then there's the living, breathing Elvis.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
I remember serving in Vietnam in that war, and many of us at the major Lieutenant Colonel, colonel level were frustrated that no one in the U.S. wanted to debate it that way.
I just wanna learn and I wanna grow. I wanna consume as much information as possible. I wanna be great.
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