A Quote by Ray Davies

Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things. — © Ray Davies
Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog-big as a donkey. ... I think that songwriting changed when groups started spending more time in the studio. ... I've written so many songs about Englishmen, I have to go elsewhere. ... Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.
When I came to The Moody Blues, we were a rhythm and blues band. I was lousy at rhythm and blues - I think the rest of us were.
When I started off in Wales, I sang and accompanied myself with guitar in the '50s. And then I got a band together, which is a rhythm section, really. I used to do a lot of blues, and rhythm and blues, and '50s rock 'n' roll and country, and all kinds of stuff.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church.
You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church
From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it.
Rock ’n roll is really swing with a modern name. It began on the levees and plantations, took in folk songs, and features blues and rhythm. It's the rhythm that gets to the kids – they're starved of music they can dance to, after all those years of crooners.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
I am so weak over love and heartbreak. My music is rhythm and blues and with that said, the blues element of it is a major portion. I feel like it has been lost in R&B and a lot of people are scared to talk about their vulnerabilities and insecurities. They want to keep it up and in the club.
Oh, I listened to a lot of the blues. I love the blues. You know, Slim Harpo, people like that, and Sonny Boy Williamson.
I'm crazy about James Brown. I'm crazy about soul music. And then the blues. Rhythm and blues.
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