A Quote by Ray Davies
At one time they've been the most important thing to me. So I can't hear our records on the radio, I can't stand it, because they sound so out of what everyone else is doing.
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You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
Everyone can write their melodies and chords and pianos and guitars, but what hasn't been discovered yet are tones and textures, and that's very exciting. Probably the No. 1 most important thing in my music is not to sound like anyone else.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
I think it's really easy to just get caught up in what everyone else is doing, so I think the most important thing to remember is to be really strong in your own shoes. That is the main thing for me. The one thing that kind of gets in my way sometimes is when I'm a little too aware of everybody else.
The one thing I really lucked out on is that all through my teenage years, when my sister was a lifeguard and everyone I knew was out in the sun all day - I was in the theater. Everyone called me Casper because I never had a tan, and everyone else was tan all the time. I think that was the luckiest thing of my life.
The bands that have been the most important to me, and the records that have been the most important to me as a fan, have been records that surprised me for one reason or another.
There's a broad range of male rappers, so if they're going out on a limb and they sound different, it's okay, because we have 20 other rappers doing what the radio wants... as far as females, there aren't as many, so if you want to compete, you have to sound just like this, because that's the only thing hot right now.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
I'm lucky to have friends who inspire me all the time. Watching other people teaches me and helps me to carve out my own sound. We're all just recycling on our influences. What you hear is the sound of those artists swirling around our insides and finding their way back out somehow.
[The first] week [of the year] is great because my special is coming out but it's also my least favorite week because everyone else is on hyperdrive. They're like, "Let's do it! We're doing our goals!" Everyone is bothering me and there's so much hyper-intensity going on and I'm like, "It's winter, you guys. It's hibernating time."
More recently I've come to terms with what I'm doing and why I'm doing it. That's why you start to see me recoiling from 'let's put out radio records, let's get rich and get on out of here.' I have gone towards more speaking to kids and putting out records that I like.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
What you'll tend to avoid doing is probably the most important thing you need to do because it'll probably be the most daunting and the most potentially successful thing you could be doing and that's usually out of people's comfort zone.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
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