The important thing with memorising a part is not to force it. Sometimes when you're rehearsing, you'll think it's not going in, but it is. On stage, you have to trust that the lines are there, because they are. The real challenge is to relax.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
I think the most important thing is you have to learn to love auditioning, which I have definitely learned to love. It's going to be a huge part of your career, even if you're right at the top. You're still going to have to audition sometimes, and if you don't learn to love that, that's such a big part of what you're job's going to be.
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
I always feel like I'm rehearsing. I'm a workaholic. But youve got to let go and trust and enjoy! I'm a real perfectionist. Its probably my biggest disadvantage. But as long as I can go out there, trust in the work and just have fun, thats what matters.
I felt like that was an important thing for guards to trust the big fella when they give them the ball - that you can catch and finish. I think that's real big for the trust between you and your guards.
I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.
I'm not going to beat the cancer. I tried really hard... but sometimes you're just not going to beat the thing... I wanted to walk off the stage and say anything I thought was important; I had my hour.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
I'll give you my worst nightmare. I'm dreaming that I'm onstage, the curtain goes up, and I have no idea what my lines are or what's going on. I think I should know, I kind of know, I remember rehearsing... and the audience is there waiting.
When you're dropping back and everything's going on, part of you wants to force it, but you have to make the right decision and not force the ball and sometimes throw it away.
I know it is possible not only to restore trust but to actually enhance it. The difficult things that we got through with the important people in our lives can become fertile ground for the growth of enduring trust - trust that is actually stronger because it's been tested and proved through challenge.
Fame is something that is tough when it comes. It's a weird thing to take on in real life. I was a little bit afraid and, as a result, kind of turned my back on it. You should embrace it because it's going to be a part of who you are, and it's going to be a part of what this business is about.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
Sometimes in peacekeeping operations you show force in order not to use force - people realise that there's a pushback and there's a solid force there that's not going to be pushed around, that sometimes helps.
I tend to be more arrogant on stage. Far more ignorant. I sometimes say what I think and sometimes say the opposite of what I think and the lines get blurred, but I can only hope that some kind of absolute power transcends.
It's got to be a challenge but at the same time you have to feel as though you can play them - it's really dangerous to want to be a part of something just because you think it's going to be great. I've been sent plenty of scripts where I've known that it's going to be a great film and a successful one, but I just couldn't convince myself that I was the right person for the part. So, I think you have to be careful with that.