A Quote by Ray Fearon

Great actors - it's got nothing to do with colour. — © Ray Fearon
Great actors - it's got nothing to do with colour.
The actors in Britain are incredible, and I didn't appreciate that until I got there. They interpret your words and you realize how deliberate and thoughtful they are. There are great American actors, too, don't get me wrong, but the technique that British actors have is something really special.
Comrade Blade Nzimande is complaining that EFF stole the ‘red colour’, he does not have a copyright on the ‘red colour’. There’s nothing we can steal from him because he has nothing but that skuurpot (pot scourer) face of his. Why didn’t he complain when Vodacom was red?
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
For the Rays, to speak properly, have no Colour. In them there is nothing else than a certain power and disposition to stir up a sensation of this Colour or that.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
I got kicked out of four high schools just because people took issue with the colour of my skin. As if I could help the colour I was born.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
What do actors really want? To be great actors? Yes, but you can't buy talent, so it's best to leave the word 'great' out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
Once people start to realise that colour is just that, it's just a colour, then things got a bit smoother.
I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
For me, pink or lilac is the colour of innocence, it's the colour of love, it's the colour of everything happy.
I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
There are actors that are really fine actors but not good auditioners. There are really good auditioners that may not be great actors. There are great actors that are really good auditioners, too. I happen to be someone who's not a great auditioner, but usually on a set can hold my own.
Great writing attracts great actors. It attracts money. Without a great script, you have nothing.
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