A Quote by Ray Fisher
I felt like a typical kid growing up, and Lawnside is a nice town with a huge historical significance.
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Every Jewish holiday has a religious significance, a historical significance, and a relevance to the time of year in the natural calendar of the seasons and trees and growing things, as well as a personal significance. So you are always looking backward, outward, inward and forward.
I'm nice because, when I was growing up, so many people weren't nice to me, and I remember how that felt. And I don't want to make anyone else feel like that. I value nice.
Growing up, I was picked on a bit; I was pretty heavy-set, and then I was a theater kid. I just felt unpopular and uncool, so I think in my mind I had this idea of fame and being popular and how nice that would be. The reality of it is sometimes it's not nice.
I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
As a kid growing up in a small town in Washington State, my only exposure to New York City was through movies. The town with its towering skyscrapers, fascinating people and teeming energy absolutely captivated me.
I was the kid in the class who was looking for the angles to question things or make wise-ass remarks, not knowing enough to be afraid of being myself or showing intelligence. But I wasn't the only kid like that in my classes because of where I grew up. I'm really thankful I grew up in a town where there were a lot of other mutant kids. I'm from Boulder, Colorado, which went through a lot of dramatic changes when I was growing up.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I was not very strong growing up, and my uncle used to look at me, like, This kid is not growing up, he is growing tall but he can be broken like a banana.
New York is about as cosmopolitan as it gets. It's a fairly mixed and woke town, so there weren't a lot of situations growing up where I felt like the outsider or the alien.
I felt like the luckiest kid in the world. And I was. I was growing up middle-class in a time when growing up middle-class in America meant there would be jobs for my parents, good schools for me to prepare myself for a career, and, if I worked hard and played by the rules, a chance for me to do anything I wanted.
As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
When I was growing up, I didn't feel strong. I felt weak. I felt like a scared little kid. So I naturally turned to books to deal with that feeling, and I really turned to fantasy. That's really what influenced my decision to write a fantasy novel.
I wasn't always this confident. Growing up as the awkward gay kid in a small town in Pennsylvania, you're constantly told, 'Don't be yourself, don't be proud of who you are.
I wasn't always this confident. Growing up as the awkward gay kid in a small town in Pennsylvania, you're constantly told, 'Don't be yourself, don't be proud of who you are.'
Every woman deals with sexism most every day of their lives. Growing up, it's just in your day-to-day. There are all these preconceived notions of what it means to be a woman or a girl, and straying from those ideas of femininity is sort of shocking to people. I felt angered by that as a kid. I felt like that was unjust. Like that was not right.
It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.
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