A Quote by Ray Guy

I've written just about everything for the sake of putting shoes on the children's feet - and a bottle of gin in the cupboard. — © Ray Guy
I've written just about everything for the sake of putting shoes on the children's feet - and a bottle of gin in the cupboard.
Art for art's sake makes no more sense than gin for gin's sake.
Putting on shoes with my prosthetic legs is still hard for me, but at the end of the day, I'm just putting on really tall shoes.
I own one pair of Prada shoes. They make my feet hurt... It's not the shoes' fault; they are exquisitely made. I blame my feet. I've got my mother's feet.
I don't know how I do it, but I've written about everything. I've written about my shoes.
The best treatment for feet encased in shoes all day is to go barefoot. One-fifth of the world's population never wears shoes - ever! But when people who usually go barefoot usually wear shoes, their feet begin to suffer. As often as possible, walk barefoot on the beach, in your yard, or at least around the house. Walking in the grass or sand massages your feet, strengthens your muscles and feels very relaxing...If you can cut back on wearing shoes by 30 percent, you will save wear and tear on your feet and extend the life of your shoes.
Got no place to go, but there's a girl waitin' for me down in Mexico. She got a bottle of tequila, a bottle of gin, and if I bring a little music, I could fit right in.
One of the good things about losing your feet is I can wear all the pointy shoes I want, and it doesn't hurt anymore. I can wear shoes just for fashion now.
You'd learn more about the world by lying on the couch and drinking gin out of a bottle than by watching the news.
I can't imagine what it's like to go through life without shoes to protect your feet, and yet millions of kids do it. That's why TOMS is such an incredible company - it gives shoes to children who need them!
A Sceptick therefore, who because he finds that Truths are not universally received, doubts of their existence, is just as foolish as a man who should try large shoes upon little feet, and little shoes upon large feet, and finding that they did not fit.
I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
The bottle is where everything sad or mean or confusing can go. And the blues--it's like that bottle. But in the bottle there's a seed that you let grow. Even in the bottle it can grow big and green. It's full of all those feelings that are in there, but beautiful and growing too.
For each glass, liberally large, the basic ingredients begin with ice cubes in a shaker and three or four drops of Angostura bitters on the ice cubes. Add several twisted lemon peels to the shaker, then a bottle-top of dry vermouth, a bottle-top of Scotch, and multiply the resultant liquid content by five with gin, preferably Bombay Sapphire. Add more gin if you think it is too bland... I have been told, but have no personal proof that it is true, that three of these taken in the course of an evening make it possible to fly from New York to Paris without an airplane.
My father was truly a great man. I remember one day putting my feet in my father's shoes. I was amazed at the size. Would I ever be big enough to fill his shoes? Could I ever grow into the man my father was? I wondered.
Our pointe shoes are our instruments. If something's wrong with my feet, all my mind goes there. I usually have six pairs ready. Soft shoes for one act, stiffer shoes for another, stronger shoes for a variation with a lot of turns.
Ne'er ask me what raiment I'll wear, for I have no more doublets than backs, no more stockings than legs, nor no more shoes than feet--nay, sometime more feet than shoes, or such shoes as my toes look through the overleather.
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