There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
Now I'm a free agent, literally and figuratively. I've reached that enviable state in life in which I can do pretty much what I want. And what I want is to continue to play basketball. I still love the game, and I still have something to offer. My coaches and teammates recognize that. At the same time, I want to be genuine and authentic and truthful.
That's what the drummer is supposed to do. Keep the time. If you can do something else besides that, fine. But the time is essential and non-negotiable.
The first time you do something, it's science. The second time, it's engineering. The third time, it's just being a technician. I'm a scientist. Once I do something, I want to do something else.
The first time you listen to someone else's interpretation of what you've created, it's a little unnerving. They'll change lyrics or something almost every time. That's them being an artist, and you appreciate it more over time.
Total failure isn't something I want to spend a lot of time envisioning. I'm pretty sure I'll recognize it if it comes.
I can only listen to what I'm working on, at the time. I can't listen to anything else because I don't want to copy it.
It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.
Failure comes when you don’t listen. You can’t put something out there and assume it’s great. It’s up to us to make sure we’re listening to improve our chances for success-if not this time, next time.
The little babies are missing their families from their past lives. The babies have old souls and the old souls have to shrink to become little babies. The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they'll forget.
I spent so much time focusing on haters that I forgot about the people that actually love me. And that's who I'm focused on this time around: the people that want to listen. The people that don't want to listen, don't listen. This is for the people that want to.
I don't particularly like babies. They are loud and smelly and, above all other things, demanding. No matter how much free day care you throw at women, babies are still time-sucking monsters with their constant neediness.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
The idea of being in a television series is a wonderful one to be considered, but you want to make sure it's the right thing for you because if you are fortunate enough to have something go for a long term, you want to make sure that it's something that you really want to be spending a bulk of your time on.
All artists are vain, they long to be recognized and to leave something to posterity. They want to be loved, and at the same time they want to be free. But nobody is free.