A Quote by Ray J
I wanted to give people songs like 'Wait a Minute' and 'Formal Invite' for the club, and I also wanted to get real serious and show them my versatility.
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Some people wanted to get rich or famous, but my friends and I wanted to get real. We wanted to get deep. (Also, I suppose, we wanted to get laid.)
I wanted to show what it's really like for 98 percent of the world's population [in the third world]. Plus, I also see there are an awful lot of young people out there doing good things, and I wanted to give them a platform.
'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.
I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.
I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I was clear that I wanted to do music and I wanted to write songs. But I wasn't clear about how I was going to make that happen. I wrote loads of songs but didn't want to show them to anyone.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
You have to go in there and hit him. Show him that his tactics don't work. Bernard Hopkins is a fighter that you have to get straight to the point with. You can't lollygag and bullshit because that's his game. Being serious and doing my job throwing punches in the ring, that's my game. I don't come to put on a show for the people. I come to give the people a fight and give them their money's worth; give them real entertainment.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.
I wanted to give people an experience. I wanted them to get their money's worth.
Lots of these songs I hadn't performed, but I've always wanted to. These are songs that I wanted to get in my wheelhouse. I sang them over and over and over and over again. Of course, I've fallen in love with them all.
I wanted to show a different side of ourselves. I wanted to see in what ways I could explore something new. I felt like working on a double record would give people a lot to have.
I will say they were horrified when I wanted to be an actor. It wasn't a showbiz-y family, and my parents are real introverts who don't go to a lot of Hollywood parties and are most comfortable in their pajamas in our sweet little home. Part of the reason I wanted to be an actor and not just a writer is because I felt much more extroverted than that - I love to be around people, and feed off people's energy, and collaborations. If I hadn't had their example, I wouldn't have been so serious, but I also wouldn't have wanted so much to find another creative outlet.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
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