A Quote by Ray LaMontagne

I want to write music that will outlive me. — © Ray LaMontagne
I want to write music that will outlive me.
With Marvel and DC, you're working with their pre-established fictional universes and characters. At those places, you're working with characters who will outlive you and maybe your children and your childern's children. Batman will outlive me, Spider-Man will outlive me, the Avengers will outlive me, and so it goes.
With my art, it's the one thing that I know will outlive me and outlive my feelings. It will outlive my depressive seasons.
I've always hid behind the music despite the fact that I have a huge personality. I'm thrilled that the music is bigger than me and will outlive and outlast me. It frees me up to take risks.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
A song is only as strong as its foundation, and when it comes so naturally in any setting, those are the songs that will hopefully outlive you, maybe even outlive the next generation of You.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me is an enthusiasm for the material. I sort of follow the notes to where they want to go.
I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.
My goal was always to be involved in music that would outlive me. And maybe that's actually happening.
It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
God shapes the world by prayer. Prayers are deathless. The lips that uttered them may be closed to death, the heart that felt them may have ceased to beat, but the prayers live before God, and God's heart is set on them and prayers outlive the lives of those who uttered them; they outlive a generation, outlive an age, outlive a world.
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me.
Men outlive their love, but they don’t outlive the consequences of their recklessness.
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